| Peter Buck & Steve Wynn – who are currently in Athens, GA to work on a new album – played "Ghostbusters" & "Gloria" at the Rialto. Check it out below. |
Writes Steve Wynn...
| Peter Buck & Steve Wynn – who are currently in Athens, GA to work on a new album – played "Ghostbusters" & "Gloria" at the Rialto. Check it out below. |
| Celebrating Lenny Kaye's 79th birthday with a few interviews and performances (some with Peter Buck) you may have missed. |
| Scott McCaughey's video for the Minus 5's "Blow In My Bag" – off their new album Oar On, Penelope! – boasts an all star cast. |
Here's the scoop...
The Scott McCaughey directed and edited video for The Minus 5's "Blow In My Bag" off their forthcoming album Oar On, Penelope! (available here: https://ffm.to/oaronpenelope) which stars Scott along with Peter Buck and Kurt Bloch with cameo appearances from Alejandro Escovedo, Nate Fassold, Patterson Hood, Debbi Peterson, Linda Pitmon, Chuck Prophet, Wesley Stace, Steve Wynn and yes, Nick Saloman's boot.
| Since it's Scott McCaughey's 70th birthday today, we're celebrating with some of his recent Baseball Project performances. |
![]() |
| Watch the video for "Shiny Happy People" off Micky Dolenz Sings R.E.M. (out now via 7A Records) after the Athens launch party. |
![]() |
| The Full Time Men's Keith Streng gets a vocal assist from Dave Faulkner on the Hoodoo Gurus-esque "We Were Using" |
Here's the scoop from Yep Roc HQ...
On October 27, Yep Roc Records will release Full Time Men’s Part Time Job. Available on CD, Digital, and Limited Edition LP formats, Part Time Job marks the first time the band’s illustrious catalog is finally available on CD or digital platforms.
In the mid-to-late ’80s, Full Time Men was a part time venture of Fleshtone Keith Streng (guitar and lead vocals) that featured Gordon Spaeth (sax, harp), Robert Warren (bass, vocals). and Bill Milhizer (drums), all full time members of New York’s Fleshtones, along with Rich Thomas (lead guitar, vocals) from LESR (Lower East Side Rockers). This compilation of the band’s material includes special guests Peter Zaremba (Fleshtones), Pat DiNizio (Smithereens), Dave Faulkner (Hoodoo Gurus), Stiv Bators, Jeff Connolly, Scott McCaughey, and Peter Buck.
The 20-track Part Time Job (CD/Digital) set collects the band’s entire recorded catalog. It features four previously unreleased songs, “We Were Using,” “Reinvented,” “Pink Cloud,” and “TOT (Toilet of Time),” plus songs from the band’s 1984 self-titled debut EP, Full Time Men, 1988’s Your Face My Fist, and 1999’s The Fabulous Sounds Of Coney Island EP. The Fab Sounds Of Coney Island featured Ken Fox of the Fleshtones on bass and Andy York, of John Mellencamp fame, on lead guitar.
The Part Time Job 12-track LP, limited edition to 500 units and pressed on translucent emerald green vinyl, includes all three songs from the Full Time Men EP, select songs from Your Face My Fist LP, and the four previously unreleased songs, “We Were Using,” “Reinvented,” “Pink Cloud,” and “TOT (Toilet of Time).” You can pre-order a copy of the CD or LP via Yep Roc right here.
Check out an audio clip of "We Were Using" featuring Dave Faulkner, Peter Buck and Clem Burke following the tracklisting below.
Full Time Men – Part Time Job
We Were Using*
Reinvented*
Pink Cloud*
TOT (Toilet of Time)*
I Got Wheels (EP Version)^
One More Time^
Way Down South^
Nothing’s Gonna Stop Our Train+
One More Time (Encore)+
Southern Twitch+
I Got Wheels (LP Version)+
Four Day Creep+
Full Time Men+
Critical List+
Wrecking Ball+
Making Time+
High On Drugs+
Baby Don’t Do It+
I’m Gonna Have Fun#
Did You See Her Eyes#
![]() |
| Watch Portland's Eyelids cover R.E.M.'s "Gardening At Night" with Peter Buck along with a couple of their puppet videos. |
![]() |
| Peter Buck, Steve Wynn & Scott McCaughey hilariously cram all the home run clichés they can fit into the title track of their new Baseball Project album. |
![]() |
| Steve Wynn, Peter Buck, Mike Mills, Scott McCaughey & Linda Pitmon return with Grand Salami Time! on June 30th via Omnivore. Listen to "Journeyman" |
![]() |
| Lenny Kaye will be joined by Chocolate Watchband's Dave Aguilar, The Leaves' Jim Pons, The Seeds' Daryl Hooper, and others. |
![]() |
| The No Ones get vocal assists from The Bangles' Debbi Peterson, Teenage Fanclub's Norman Blake and Death Cab's Ben Gibbard. |
Here's the scoop...
"No one is defined as nobody. An example of no one is how you would describe who is in an empty house. Not one person, nobody. The logical negation of someone."OK, that makes sense. The No Ones are also defined as "not a single person" and that's fine too. In this case there are but four No Ones, and you can put them all in one room, though not very often at the same time. They are, alphabetically:
Peter Buck - R.E.M., Minus 5, Filthy Friends, Baseball Project, Luke Haines, etc. Countless songs -- you can only hope to contain them! Double-LPs and pizza. Hound Dog Taylor, Raspberries and Sault. Warm weather and walking. Made three amazing and fucked-up solo albums that are available only in an alternate analog world.
Arne Kjelsrud Mathisen - I Was A King, Rural Tapes, etc. Drums, keyboards, percussion, vocals, etc. Arne played the controversial piano solo on "Turn Again" from first No Ones long-player. He loves forest green, his Korg MS-10, Can, and Raymond Scott. Rural Tapes (solo/collaborative instrumental project) release 2nd album Inner Space Music November 2022.
Scott McCaughey - Young Fresh Fellows, The Minus 5, R.E.M., Baseball Project, Filthy Friends, etc. Primary lyricist, plus bass, keyboards, guitars and vocals. He enjoys coffee in his spare time, and dreams of Neil Young and Irma Thomas fronting Sun Ra's Arkestra, with Nice As Fuck opening. Casablanca and The Florida Project are required viewing. Scott The Hoople is his solo side-career.
Frode Strømstad - I Was A King, Rider, etc. Master of melodies as well as guitars, capos, chords, and vocal cords. He parties down with GBV and Elf Power. I Was A King releases its 8th album Follow Me Home in September 2022.
So, making music comes naturally to this band, despite the obstacles. Conceived above the Arctic Circle, split by thousands of miles, and compounded by ridiculous schedules and pandemics... Thirty-plus songs later and we have My Best Evil Friend (out March 31 via Yep Roc Records), the band's third release and follow-up to 2020's exceptional (by definition) The Great Lost No Ones Album.
My Best Evil Friend was realized in the way it was required, bouncing tracks back and forth from studios in Norway to the Dungeon Of Horror in Portland, Oregon, with a few other helpful home-recorders. Arne and Frode were able to track live guitars and drums together in Oslo, which somehow gives the vibe of a combo rockin' a high school gym -- owing much to the engineering work of Bård Ingebrigtsen, who also did the final mixes.
Whereas Great Lost Album was imagined as being discovered in 2054 by a retro-hipster-scribe in Mojo ("The Last Magazine"), the latest is a blurry tribute to our own LP collections and memories, the artists that populate our turntables, and those that continue to inspire us. Not exactly in linear or transparent ways, but you'll find shadows of Plastic Ono Band, Joe Tex, Sugar Pie de Santo, Nick Lowe, beat poet Michael McClure, Blind Tom, Pamela Polland, Dean Martin, and on and on. There are even outright paeans to George Harrison, Jenny Lewis, and Phil Ochs, among others. And once again the quartet has enlisted contributions from generous friends, through the voices of Debbi Peterson (Bangles), Norman Blake (Teenage Fan Club), Ben Gibbard (Death Cab For Cutie), as well as 'lead bass' from Camper Van Beethoven's Victor Krummenacher, and strings from Marin Ballemo Bakke.
With a 2020 tour of Norway repeatedly Covid-canceled, as well as lost appearances at Roskilde and other festivals, you might think it makes sense to hang it up. Well, it does, but that's not the way it works. When downtime is forced upon you, the committed musician just turns it into more songs, more records, more life. The No Ones still hope to meet you all in person, but for now, let's hope that My Best Evil Friend can at least pull you into their orbit, like a beacon from RKO. – Robert Stove, The Electric Bird Digest, THE Quarterly Magazines for Amateur Electrobirds
Get a copy of The NoOnes' My Best Evil Friend via Bandcamp right here. Listen to the first three tracks shared from the new album, "304 Molino Way." "Phil Ochs Is Dead" and "Song For George"
![]() |
| Raising a glass to ace singer/songwriter Robyn Hitchcock on his 70th birthday! Here's a couple of documentaries and performances. |
![]() |
| Don't count on Peter Buck showing up for the Eyelids' set at the 'Shoe tonight but Beams will be there to get things started. |
![]() |
| Watch Peter Buck, Steve Wynn, Linda Pitmon & Scott McCaughey ring in the new baseball season with "All Future and No Past." |
![]() |
| Congrats to Alejandro on the ACL honour, it's just surprising that the Austin icon wasn't in already. |
![]() |
| R.E.M. is re-releasing their 1981 debut single recorded in the Winston-Salem garage of Mitch Easter's parents. |
Here's the scoop...
For the first time in 40 years, rock icons R.E.M. are reissuing their foundational, debut single “Radio Free Europe,” first released in 1981. While many fans know the 1983 version of the song, which appeared on the band’s first studio album Murmur, only a lucky few have heard this version, which marks one of R.E.M.’s earliest recordings. Due for release July 23rd via Craft Recordings, and available to pre-order today, Radio Free Europe (Original Hib-Tone Single) will be presented in its original format: as a 45-RPM single, housed in a jacket featuring photography by Michael Stipe. In an homage to the band’s hometown, the single was pressed in Athens, GA at Kindercore Vinyl.
In addition to the 7” single, R.E.M.’s 1981 demonstration tape—titled Cassette Set—is also being made available for the first time. This ultra-rare collection will be available exclusively via the official R.E.M. store as a bundle with the 7”, limited to 1,500 copies worldwide. The Cassette Set tape—also releasing July 23— will replicate the original packaging, which was self-assembled by the band, using photocopied cardstock for the J-card inlays and handwritten cassette labels by Stipe.
In 1979, singer Michael Stipe, guitarist Peter Buck, bassist Mike Mills, and drummer Bill Berry were students at the University of Georgia, in the vibrant college town of Athens. Buck worked at Wuxtry Records—a local record store that Stipe frequented. The two young men quickly bonded over their shared love of proto-punk bands like the Velvet Underground and Television. Roommates Mills and Berry, meanwhile, met in high school and had already played in several bands together in their hometown of Macon.
That fall, the four young men met through a mutual friend, Kathleen O’Brien, and began casually playing music together. Several months later, O’Brien was organizing a concert/ birthday party and invited Stipe, Buck, Mills, and Berry to open the show. The group played a loose set of covers and original songs to more than three hundred people. Needless to say, it was a success.
Within a few months, they built a following in the local scene. By early 1981, they had a fanbase that expanded beyond the confines of Athens. That spring, the band were connected with singer, songwriter, and producer Mitch Easter (later of Let’s Active), who booked the band for a session at his Drive-In Studio in Winston-Salem, NC.
On April 15th, set up in Easter’s parents’ converted garage, R.E.M. recorded three songs: “Sitting Still,” “White Tornado,” and “Radio Free Europe.” The resulting tracks were copied to several-hundred self-produced cassette tapes—approximately 400 copies—and distributed to clubs, journalists and labels. The collection, titled Cassette Set, included a few playful additions; “Sitting Still” was prefaced by a few seconds of a high tempo run through of the song done in Polka-style; “White Tornado” was followed by an aborted “White Tornado” take where Buck blunders, the song grinds to a halt, and Buck is heard apologizing before Easter’s voice appears. This Cassette Set was the only place to get the very original Easter mixes of “Sitting Still” and “Radio Free Europe.” Outside of the copies originally produced, this early demonstration tape collection has never-before been reissued—until now.A copy of the tape also made its way to Jonny Hibbert, who owned the Atlanta-based indie label, Hib-Tone. Impressed, Hibbert offered to put out the band’s first single. On May 24, the band returned to the studio and laid down some overdubs onto “Radio Free Europe” and Hibbert mixed both “Radio Free Europe” and “Sitting Still” the next day.
While the band preferred Easter’s original mix of the song, Hibbert chose his own mix for the 7-inch single, which featured “Sitting Still” as the B-side. An initial pressing of 1,000 was released in July 1981, with 600 copies designated for promotional use. Later, an additional 6,000 copies were issued, due to popular demand (and for practical reasons, as the first pressing inadvertently omitted contact info for the band.)
Despite mishaps along the way, the release of the “Radio Free Europe” single earned the band critical acclaim and an offer from I.R.S. Records. Under the new label, a more experienced R.E.M. re-recorded “Radio Free Europe.” The new version—which featured a slower tempo than its predecessor and slightly revised lyrics—was released as the band’s first official single with I.R.S., and appeared on their 1983 debut, Murmur.
The single garnered the band their first chart success, peaking at No.78 on the Billboard Hot 100, and helped to propel Murmur up the album charts, where it landed at No.36. Decades later, the song was regarded by Rolling Stone as one of the 500 Greatest Songs of All Time, while in 2010, “Radio Free Europe” was added to the Library of Congress’s National Recording Registry—noted for having paved the way for subsequent indie rock acts “by breaking through on college radio in the face of mainstream radio’s general indifference.”
Despite the breakthrough success of that 1983 recording, R.E.M. has long stated that the rougher, Hib-Tone version of “Radio Free Europe” is the superior recording. And, while eagle-eyed fans may note that the single was listed as a track on R.E.M.’s 1988 compilation, Eponymous, and then on 2006’s I.R.S. years compilation (And I Feel Fine…The Best of The I.R.S. Years 1982-1987), the version that was labeled “Original Hib-Tone single” was, in fact, Easter’s original mix, not Hibbert’s. That formative pressing, however, has remained a sought-after rarity for four decades—and is available again for the first time here.
Have a listen to R.E.M.'s original Hib-Tone version of their "Radio Free Europe" single and the Cassette Set version of "White Tornado". Check the links section below for an interview with Mitch Easter.
![]() |
| Alejandro was joined by Peter Buck, Scott McCaughey & Kurt Bloch for "Johnny Volume" & "Castanets" left off the TV broadcast. |
Here's the rest of the show from 2016...
![]() |
| Peter Buck cut Beat Poetry For Survivalists with The Auteurs' Luke Haines and joins Scott McCaughey with Norwegian pals in The No Ones. |