Singer/songwriter Russell deCarle is joined by guitar ace Steve Briggs for an Acoustic Harvest hoedown in Scarborough.
Russell deCarle & Steve Briggs
at 200 McIntosh St, Scarborough
Saturday, April 18 at 8 pm
Tickets: $35 plus fees
After decades as the highly respected lead vocalist and bassist with Prairie Oyster, with "six Juno Awards, more than a dozen Canadian Country Music Awards and enough gold and platinum records and #1 singles to fill a living room wall", Russell deCarle continues to write, record and perform moving music.
With his intimate, smokey, burnished voice, Russell has a knack for inviting audiences into his realm and embracing them with his words of heartbreak and hope, sadness and joy, wisdom and truth....he's truly a thinking singer-songwriter, a balladeer, connecting with people over achingly beautiful songs and stories about the land and world in which we live. His repertoire is eclectic, ranging from Country to Blues to Swing, Jazz, Rockabilly etc. and all delivered in his trademark, soulful voice and mesmerizing stage presence. Russell was inducted into the Canadian Country Music Hall of Fame in 2008.
Russell's two most recent self-released recordings, 2017's Alone In This Crowd and 2024's The End of The Road – both involving his sidekick guitarist Steve Briggs – represent some of finest work of his impressive career.
Join us for an evening of stellar music and warm vibes. Get tickets right here.
Adrian Younge's new album "Younge" sounds like a well-orchestrated 70s Italian soundtrack awaiting a film. Check it out.
Here's the scoop...
Younge is Adrian Younge’s magnum opus: a record that redefines what orchestral composition can mean for a new generation of jazz and hip hop. It is a bold, instrumental statement that positions Younge not only as a composer, but as an architect of a new musical language, one that looks backward and forward at the same time.
The album is rooted in the lineage of composers who unknowingly laid the foundation for hip hop decades before it existed. Figures like Lalo Schifrin, David Axelrod, Ennio Morricone, Galt MacDermot, Bo Hansson, and later visionaries such as Portishead’s Geoff Barrow created cinematic, emotionally charged music that was often overlooked in its time. Their records would later be rediscovered by crate diggers and transformed by producers searching for sounds that felt timeless, dangerous, and unexplored.
Hip hop expanded by inheriting this forgotten language. Through sampling, producers didn’t just borrow melodies; they absorbed orchestration, mood, tension, and storytelling from composers who were operating far outside the mainstream. In many ways, hip hop became the vehicle that preserved and amplified these ideas, introducing new generations to music that had always been ahead of its time.
Younge is composed with that full historical awareness. It is orchestral music written from the perspective of today’s producers, music that anticipates reinterpretation, deconstruction, and reuse. Think of it as a 1970s soundtrack album imagined through modern ears: arrangements built around space, restraint, and texture; movements that feel cinematic yet modular; compositions that invite dialogue rather than demand finality.
You can get a copy of Younge via Bandcamp right here. Listen to the lead track "Portschute" and "Il Mattino" below.
One of the more interesting RSD releases out today is the archival comp "My Soul Is Lost" assembled from rare 78s by R. Crumb & John Heneghan.
Here's the scoop...
My Soul Is Lost presents a selection of rare old-time music compiled by R. Crumb and John Heneghan from their own collections. Crumb’s emergence the birth of underground comics with Crumb as its most recognizable force. Crumb owns almost five thousand 78 rpm records in his collection.
The Crowder Brothers
In the liner notes, Heneghan writes, “What i’m saying is, during the late 1920’s and early 1930’s in America, a treasure trove of rich rural music was recorded, before marketing maniacs could get there ghastly, grubby hands on it. as a result we have a true glimpse into what rural American music was and what it sounded like in all it’s raw distinctive nature. in the early 78 rpm era, countless records were recorded by some of the most unique sounding musicians and bands which never would’ve made it past the audition process once marketing ideas were set firmly in place by record companies to make music the most profitable.
"It's a strong experience to hear music made by the people, for the people, from a time when big money was just getting involved in the music making process and hadn’t yet fully crushed or cast out the most unique and richest sounding performers of the time. as a result we are left with, in my opinion, recordings of some of the most beautiful music ever made. i guess that’s what old-time music is to me.”
The limited edition RSD release (1000 copies) includes a multi-page booklet with beautiful photographs of early 20th century musicians and liner notes by John Heneghan and Tony Russell. Cover photo from the collection of R. Crumb with layout and hand-drawn text by R. Crumb. Watch Jalopy Records' teaser trailer here. Check out the tracklisting below followed by a few audio clips.
My Soul Is Lost:
Unknown & Forgotten Rural American Musicians
SIDE A
1. I Surely Am Living A Ragtime Life - W. A. Lindsey & Alvin Conder 3:03 (Memphis TN - February 1, 1928). W. A. Lindsey - vocal, prob. harmonica, guitar. Alvin Conder – banjo. 2. O Dem Golden Slippers - West Virginia Ramblers (Richmond IN - June 3, 1931) Jess Johnston - fiddle. Bernice Coleman - fiddle. Ernest Branch - banjo. Roy Harvey - guitar. 3. Look Here Mama - Uncle Bud Walker 3:01 (Atlanta, GA - July 30, 1928) Uncle Bud Walker - vocal, guitar. 4. My Soul Is Lost - Crowder Brothers 2:48 (New York City - September 22, 1937) Olfa Crowder - vocal, guitar. Ortive Crowder - vocal, guitar. 5. Livin’ In The Mountains - Lonesome Cowgirl 2:35 (Richmond, IN - March 18, 1931) The Lonesome Cowgirl - vocal, ukulele. 6. Bungalow Blues - Mary Butler 2:45 (New Orleans, LA - November 1928) Mary Butler - vocal. (probably) Harry Chatman - fiddle. Walter Vinson - guitar. Charlie McCoy – banjo-mandolin. 7. Wild Cat Hollow - Paul [& Charles] Johnson 3:01 (Richmond IN - September 4, 1930) Paul Johnson - vocal, slide guitar. Charles Johnson - guitar. 8. Come Be My Rainbow - Clover Leaf Old Time Fiddlin’ Team 3:41 (Atlanta, GA - August 9, 1928) (unknown vocal, fiddles, piano, guitar)
SIDE B
1. My Good Gal Has Thrown Me Down - Homer Callahan 2:42 (New York City - August 17, 1934) Homer Callahan - vocal, guitar. 2. Cotton Mill Girl - Lester Smallwood 2:57 (Atlanta, GA - October 18, 1928) Lester Smallwood - vocal, harmonica, banjo. 3. Down The Highway - Charlie Pickett 3:18 (New York City - August 3, 1937) Charlie Pickett - vocal, guitar. 4. Gold Diggers - The Grady Family 3:06 (Atlanta, GA - December 6, 1930) Prob.: W. T. Grady - slide guitar. Ethel Mae Grady - mandolin. Paul Grady - guitar. Elvia Grady - banjo-ukulele. Vernon Grady - string bass. 5. You Can’t Blame Me For That - Hazel Scherf 3:03 (Richmond, IN - January 31, 1934) Hazel Scherf - vocal. Archer Porter - harmonica, guitar. 6. Old Uncle Joe - McKinney Brothers 2:52 (Richmond, IN - September 25, 1934) (unknown vocal duet, guitar, mandolin) 7. Some Little Bug Is Goin’ To Get You Some Day - Bradley Kincaid 3:24 (New York City - September 14, 1933) Bradley Kincaid - vocal, guitar. 8. Black Snake Moan - Charles Underwood acc. Hack’s String Band 2:40 (Richmond IN - September 29, 1930) Charles Underwood - vocal. Slats Bethel - mandolin. Walter Cobb - banjo. Bill Brown - guitar. Gene Garrett - string bass.
Recorded at the Gunter Hotel, San Antonio, Texas, on November 27, 1936.
SA 2629-2 "Cross Road Blues" (Take 2) shellac test pressing
Writes Nick Dellow, sound restorer:
"Here is an extremely rare shellac master "test pressing" of the unissued (on 78) take 2 of "Cross Road Blues" (a.k.a. "Crossroad Blues") by delta blues singer and guitarist Robert Johnson, recorded in 1936. The issued take is take 1.
"This test was pressed in the 1940s from the original ARC (American Record Corporation) metal parts by George Avakian, a young producer at Columbia Records (Columbia had bought ARC in 1938). Avakian was an avid jazz and blues fan who had discovered numerous unreleased master recordings held by Columbia, including those by Robert Johnson, in the company's Bridgeport factory in 1940.
"Avakian planned to release the masters as part of his comprehensive "Hot Jazz Classics" series of 78 rpm albums, but he prioritized other reissues. The masters were eventually released in 1961, when they were dubbed to microgroove for the Columbia LP "Robert Johnson - King of the Delta Blues Singers", with a follow-up volume two issued in 1970. As far as I know, all the unissued takes were reissued on these LPs.
Coming to Hugh’s Room on Friday, April 17 is singer/songwriter, guitarist and producer Gary Louris. He has built a deeply compelling body of music whose artistry and integrity has won the loyalty of an international audience and the respect of both critics and peers. Best known for his seminal work with The Jayhawks and Minneapolis rockabilly group
Safety Last, he has also worked with alt-rock supergroup Golden Smog. Gary's most recent recording, the largely autobiographical Dark Country, was released by Sham/Thirty Tigers in February 2025 and includes the song "Listening To Bobby Charles" which he performs following revealing interviews for WMOT-FM and The Current below.
The first release of Frank Tiberi's long-rumoured private recordings of John Coltrane in action are due out Saturday.
Here's the scoop...
“THE TIBERI TAPES: A PREVIEW OF THE MYTHICAL RECORDINGS” is a special single-LP release, available exclusively at participating Record Store Day stores and offering an early glimpse ahead of the full release arriving September 2026 via Impulse! as part of Coltrane’s centennial celebration.
For decades, the private recordings of John Coltrane’s group, captured by musician Frank Tiberi in the early 1960s, have lived in legend, surrounded by rumour and deep intrigue. Following Coltrane through clubs in New York and Philadelphia, Tiberi documented the boundary-pushing, otherworldly performances unfolding night after night on his portable tape recorder.
For the first time ever, these recordings will be made available in September 2026 as part of John Coltrane’s centennial celebration. “THE TIBERI TAPES: A PREVIEW OF THE MYTHICAL RECORDINGS” offers a single-LP preview of these historic recordings with liner notes by Ashley Kahn and will be available April 18th at participating Record Store Day stores. Thanks to producer Ken Drucker for making it happen.
Rhino is releasing a limited vinyl pressing of a Todd Rundgen 1971 performance at Philadephia's famed Sigma Sound Studios.
Here's the scoop...
The first ever solo Todd Rundgren performance captured at Philadelphia’s legendary Sigma Sound Studios on June 30th, 1971 and broadcast live over WMMR. Featuring future Utopia keyboardist Mark “Moogy” Klingman, Brethren singer/guitarist Tom Cosgrove and bassist Stu Woods along with drummer Norman “N.D.” Smart II (The Remains, Bo Grumpus, Great Speckled Bird, Kangaroo, Gram Parsons' Fallen Angels). Rhino's exclusive RSD (4/18) pressing of 3000 copies will be issued on transparent light blue vinyl. Check the tracklisting followed by most of the WMMR broadcast below.
RUNT
Live: The Necessary Cosmic Frenzy
Side A
1. Lady On The Terrace (Tom Cosgrove/Brethren)
2. I Got My Pipe
3. We Gonna Rock
4. Hold Me Tight (excerpt of Beatles cover)
5. Everybody In The Congregation (Tom Cosgrove/Brethren)
6. Lady On The Terrace (alternate mix)
Side B
1. Broke Down And Busted
2. Before I Grow Too Old (Fats Domino cover)
3. Ooh Baby Baby (Smokey Robinson & The Miracles cover)
