Showing posts with label surf. Show all posts
Showing posts with label surf. Show all posts

Saturday, December 20, 2025

A Very BADS Rockabilly/Surf Christmas Party @ The Horseshoe, Saturday

Mark Malibu & Starlotte Satine share a festive triple bill with The Bad Fortunes and NYC's Rover Boys Trio!

Here's the scoop from Mark Malibu...

TONIGHT'S the NIGHT - Saturday, Dec 20th - A VERY BADS CHRISTMAS SHINDIG! The Wasagas and Starlotte Satine hope to see everyone at the Horseshoe Tavern with Non-Perishable Food items (see chart below) for the Parkdale Community Foodbank.  Last year we gathered over 100 lbs of food.  Let's surpass that amount this year PLEASE!!!

ALSO see our good pals Bad Fortunes and The Rover Boys Trio   

9 pm  -  Doors

9:30  -   Mark Malibu & The Wasagas 

11:pm -  Bad Fortunes

12:15  -  Rover Boys Trio

DJ Dave 'til the wee hours! 

ALSO... The Wasagas new LP - Knock Me Out! will be available. The 5th full length release, 16 new songs, on Sharawaji Records.  Available on “red w/black splatter” vinyl and compact disc.  All Wasagas t-shirts $10. 

Check out Mark Malibu & The Wasagas' "Christmas Twist" followed by "Bad Fortune" by The Bad Fortunes and the Rover Boys Trio updating the Carl Perkins classic "Put Your Cat Clothes On" below.





Wednesday, November 12, 2025

Midweek Mixdown: Domenic Priore's Surf Bands Do Exotica

Here's a swank surf/exotica mix put together for dublab by author/archivist Domenic Priore – check it out. 


Here's the scoop from Domenic...

This is a special Exotica-Surf radio show for dublab.com, culled mostly from original, mono 45s by teenage Surf instrumental combos trying to capture the Exotica feel of early Martin Denny (Liberty Records) and Arthur Lyman (Hi Fi Records), both of whom recorded their deepest Tiki-toned cuts during the late ’50s and very early ’60s. A bit of bongo-beatnik influence pops up on this beach, plus a few vintage Surf LP tracks are thrown in for good measure, some of which are pulled from incredibly rare, locally pressed compilation albums done in L.A. during 1963 when Surf music was at its peak. “Beach Party” on G.S.P. Records, Inc. was put out by a producer named Gary Paxton, most well known for Bobby “Boris” Pickett’s “Monster Mash” and The Hollywood Argyles’ “Alley Oop”… from this, we get the raw stompers “Let’s Go To The Beach” by Sanford & the Sandies, “Summertime is Surfin’ Time” by The Surf Bunnies as well as The Charades’ track. “Surf War” on Shepherd Records features thee most pure, gutsy type of Surf instrumentals by The Centurians, Dave Myers & the Surf-Tones, Bob Vaught & the Renegades and The Impacts (fortunately, a re-issue exists). “Surf’s Up! at Banzai Pipeline” on Northridge Records featured artists never heard elsewhere, such as Doug Hume, The Biscaynes, Bob Hafner and Neal Nissenson… the album was re-issued quickly in 1963 with expanded material by expanded material by *The Original Surfaris, cutting some of those unknowns; the Reprise version “Surf’s Up!” has been put out again in more recent years. The Sentinels (from San Luis Obispo) get a few tracks in from their Del-Fi LPs, as they always featured a soulful sound. They, and the more well-known groups from those rare compilations all had something to do with the infamous “Surf Battle” at Deauville Castle Club in Santa Monica on the weekend of March 22, 23 and 24, 1963. This was probably the greatest Surf music concert of all time… the labels releasing those compilation LPs were simply trying to cash in on the popularity of that specific event. The radio special kicks off with several very-rare Surf tunes by R&B artists, including a couple from L.A. (The Charades, The Golden Nuggets) who also played at the “Surf Battle” that weekend. Both sides of The Beach Boys’ debut 45 on Candix Records (“Surfin'” b/w “Luau”) are heard, albeit in cover versions by The Orlons (of “Wah Watusi” fame) and Dave Myers & the Surf-Tones (who tripped the song out in ’63, calling it “Laguna Limbo Luau”). It’s a set for the early summer, so you won’t forget to make your way out to the coastline, or the water in general, and soak in some of the warmth, splash and splendor of summer.  

Listen right here. Check the tracklist below. 

– Domenic Priore, author of Pacific Ocean Park: The Rise and Fall of Los Angeles’ Space Age Nautical Pleasure Pier (2014 with Christopher Merritt, Process Media) and Riot on Sunset Strip: Rock ‘n’ Roll’s Last Stand in Hollywood (2015 Jawbone Press)



Surf Bands do Exotica

ARTIST – SONG – ALBUM – LABEL

Chubby Checker – Surf Party – Beach Party – Parkway

The Orlons – Surfin’ – Everybody’s Goin’ Surfin’- Parkway

The Charades – Surf n’ Stomp – Beach Party – G.S.P. Records Inc.

The Golden Nuggets – Surf Everybody – Hawk Records

Les Cooper and the Soul Rockers – Wiggle Wobble – Everlast

Diaboliques – Birdland – Merri Records

The Sentinals – Ooh Poh Pa Doo – Surfer Girl – Del-Fi

Sandford & the Sandies – Let’s Go to the Beach – Beach Party – G.S.P. Records Inc.

The Impacts – Summer – Anderson Records

The Buddies – The Surf is In – The West Coast Action Sound…Go Go with the Buddies – Mercury Wing

Dave and the Customs – Ali Baba – DAC Records

The Renegades – Istanbul – Citation

The Mysterions – Jerico Rock – BRS Records

The Illusions – Jezabel – Round Records

Dick Dale and his Del-Tones – The Wedge – Checkered Flag – Capitol

Eddie and the Showmen – Border Town – Liberty

The Matadors – La Corrida – Colpix Records

The Pharos – Pintor – Del-Fi

The Fireballs – Torquay – Top Rank

The Frogmen – Tioga – Scott

The Sentinals – Tor-Chula – Big Surf – Del-Fi

The Sentinals – Big Surf – Big Surf – Del-Fi

Dave Meyers and the Surftones – Laguna Limbo Luau – Surfs Up! at Banzai-Pipeline – Northridge Records

The Surfaris – Mystic Island Drums – Hit City 64 – Decca Records

The New Dimensions – Bongo Surf – Surfin’ Bongos: The Great Surfing Rhythms of the New Dimensions – Sutton

Preston Epps – Bongo Party – Surfin’ Bongos – Original Sound Record Co.

The Dragons – Troll – Capitol Records

The Pagents – Enchanted Surf – I.K.E. Records

The King Pins – 94 Second Surf – Larse Records

Frogmen – Sea Hunt – Tee Jay Records

The Irridescents – Bali Ha’i – Hawk

Dick Dale and his Del-Tones – Jungle Fever – Deltone Records

The Enchanters – Tum-Tiki – Tom-Tom Records

The Impacts – Kon-Tiki – Surf War – Shepherd Records

Eden Ahbez – The Old Boat – Del-Fi

Ernie Freeman – Hawaiian Eye – Imperial

The Ventures – Hawaii Five-O – Liberty

The Vibrents – The Breeze and I – Bay Towne

Jan and Dean – California Lullaby – Magic Lamp Records

The Rendezvous – Those Memories of You – Surfin’ Roots – Festival

Unknown Artist – Pacific Ocean Park Ad

Duane Eddy – Theme for a Summer Place – Twangin’ the Golden Hits – RCA Victor

The New Dimensions – Vesuvius – Surfin’ Bongos: The Great Surfing Rhythms of the New Dimensions – Sutton

The Sunrays – I Live for the Sun – Tower

Jill Gibson – It’s As Easy As 1, 2, 3 – Imperial

The Kan Dells – Cloudburst – Boss

Surf Bunnies – Summertime is Surfin’ Time – Beach Party – G.S.P. Records Inc.

The Centaurians – The Wedge – Surf War – Shepherd

Johnny Barakat and the Vestells – Long Ride – Dell Star Record Co.

Thursday, May 16, 2024

Whaddya mean you don't know The Treasures

Fargo's Paul Hubbard, Jerry Jacobson, Don Formanek and Neil Olsen cut the surf instro "Minor Chaos" as The Treasures in 1964.


Thursday, May 4, 2023

Happy Birthday Dick Dale!

Remembering surf guitar great Dick Dale – still not in the Rock 'n' Roll Hall of Fame – with a couple of entertaining clips. 





Sunday, January 30, 2022

Whaddya mean you don't know The Hamiltones

From deepest darkest Western New York comes The Hamiltones' terrifyingly twangy debut LP, Dracula Invitational1791.

Here's the scoop...

You are about to hear the score of the most ridiculous, b-movie Dracula film no one has ever seen (and may not even exist). The Hamiltones' debut LP, Dracula Invitational 1791 (out now on Swimming Faith/Big Neck Records) is an instrumental, surf-punk adventure that has as much in common with Ennio Morricone and The Cramps as it does with the Ventures. Nimble guitars, lurking bass, swirling organs, and eerie violin create a sound that can transform from uptempo and raucous to dark and baroque, harkening back to an era when ghouls roamed every Eastern European forest. 

Get a copy of Dracula Invitational 1791 – now in it's second pressing – via Bandcamp right here. Check out a few tracks below. 




Thursday, October 28, 2021

Saigon 60s surf and twist recordings of Phương Tâm resurface

The 25-track anthology of Phương Tâm's largely overlooked recordings is out now on CD from Sublime Frequencies. 


Here's the scoop...

Sublime Frequencies is honoured to present the first ever retrospective of Phương Tâm, the groundbreaking Saigon teenager who became one of the first singers to perform and record rock and roll in 1960s Vietnam. 

By chance in early 2020, Hannah Hà (USA) learned that her mother, Phương Tâm, had once been a famous young singer, performer and recording artist at the heart of Saigon’s music scene in the early 1960s. The family had heard some mention of their mom as a singer at the time, but the extent of her legacy and the many songs she had recorded came as a big surprise. Check out the story from Hannah's perspective as reported on November 9th by CBC's As It Happens right here

Further investigations soon led Hannah to producer Mark Gergis, compiler of Saigon Rock and Soul (2010, Sublime Frequencies), enlisting him to join her on a journey of discovery and recovery. The result is this essential document of Phuong Tam’s brief but prolific career, and at the same time, reuniting the long-lost music with its singer. 

The unique strengths and qualities of Phương Tâm’s voice, coupled with her commanding stage presence, had swiftly elevated her to top billings on Saigon’s nightclub stages. Parallel to the brutality and uncertainty of an already protracted war, South Vietnam’s music and recording industry were developing at a rapid pace in the early 1960s. Globally, musical trends with wild, ephemeral dance crazes were being thought up weekly; the twist, hully gully, the mashed potato – none of them a problem for Phương Tâm. She soon caught the attention of Saigon’s leading recording companies and composers (Y Vân, Khánh Băng, Trường Hải, Thanh Sơn, Y Vũ and Mặc Thế Nhân, among others). Her energy translated unsurprisingly well in the studio, backed by electric guitars, contrabass, drums, lush brass sections, saxophone, piano, organ and rich backing vocals. 

Between 1964-1966, Phương Tâm would record almost 30 known tracks, released by the three main record companies in Saigon. The teenage starlet became a vital centerpiece of pop music of the time, and one of the very first singers to perform and record rock and roll (known locally as nhạc kích động, or, action music) – though as you’ll hear, she could also transform a jazz ballad into something otherworldly. While these musical styles were undeniably influenced by contemporary trends worldwide, the musicians and composers worked to localize the sounds, incorporating linguistic adaptations, lyrical content and past artistic traditions into something all their own. 

In 1966, as Saigon’s music scene continued to evolve and escalate, Phương Tâm walked away from her singing career without looking back – marrying the man she loved and beginning the next rich chapter of her life. But her recorded output had laid the stylistic groundwork for the following generations of singers, and many of the songs she first sang would later be further popularized by others. Her impactful, but short- spanning career has seen her legacy remain historically understated until now. 

Due to the lack of master tapes or documentation from pre-1975 Vietnam, and the scarcity of records and tapes that had survived the war, it was difficult to grasp the extent of Phương Tâm’s discography. A collective effort was required in sourcing materials and information to compile this record, involving key collectors and producers internationally (Jan Hagenkötter - Saigon Supersound, Cường Phạm, Adam Fargason, Khoa Hà – granddaughter of composer Y Vân, and researcher Jason Gibbs). As the veils of history were slowly lifted, the genuine thrill was witnessing Phương Tâm herself, hearing these songs for the first time in over 50 years – sometimes since the day she recorded them. 

At the heart of this project is a family story – Hannah Hà’s dedication to recovering and sharing her mother’s musical legacy is helping put Phương Tâm back on center stage after 55 years. But it is also a story that adds critical context to the fragmented understanding of Vietnamese popular culture during the 20th century, particularly after so much has been lost to war and dislocation. 

25 tracks spanning Phương Tâm’s recording career: early rock and roll, surf, twist, soul, blues and jazz ballads recorded in Saigon between 1964-1966, featuring electric guitars, contrabass, lush brass, saxophone, drums and organ, and rich backing vocal arrangements. Restored and remastered from original records and reel tapes. 

Deluxe CD release comes housed in a 6-panel digipak, with two 32-page booklets in English and Vietnamese, featuring extensive liner notes by Hannah Hà and Mark Gergis, exclusive photos, album and sheet music art, original magazine and newspaper extracts, nightclub advertisements + more. Digital version is accompanied by a 41-page pdf booklet. Vinyl release forthcoming in 2022. 

Get a copy of Phương Tâm's Musical Nights anthology via Bandcamp right here. Check out a few tracks below. 





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Friday, April 30, 2021

Belgium's Radio Martiko recirculates two Québécois surf gems

A pair of mid-60s surf classics from Les Jaguars & Les Talismans, originally on TourneSol, are out via Radio Martiko May 14th.