Here's another Zambian Copperbelt ripper from the Ngozi Family, the fave Zamrock group of Chisenga and Tyler The (re) Creator!
Here's the scoop...
“Zambia's Zamrock movement that exploded in the 1970s ... provided young musicians access to European and American music, and created a unique sound. At its root, Zamrock melded fuzz-toned psychedelia, chugging garage rock and roiling funk with a broad mix of African cadences and beats.... enlivening a scene that included bands like Musi O Tunya, Amanaz and the Ngozi Family.” — The New York Times
Zamrock was a bona-fide rock scene, with albums released through independent labels based in Zambia. This music scene was complete, encompassing the genres of rock, acid folk, fusion, Afro-beat, South African jazz and traditional Zambian melodies. It quickly became a uniquely Zambian movement, befitting of its name. WITCH, Paul Ngozi and Amanaz sound nothing like other rock music from the African continent or elsewhere.
Now-Again has been reissuing the essential records from the Zamrock scene since 2010. This is the first commercial release of this Ngozi Family album that only ever made it to the test-press stage - it is part of an extensive campaign centered around Paul Ngozi and his band; all releases are licensed directly from the Estates of Paul Ngozi and Chrissy Zebby Tembo.
Now Again has compiled Ayalew Mesfin's rare 70s Ethiopian singles along with previously unissued jams for this 5 LP box.
Here's the scoop...
Ayalew Mesfin's recording career, captured in nearly two dozen 7” singles and numerous reel-to-reel tapes, shows the strata of the most fertile decade in Ethiopia’s 20th century recording industry, when records were pressed constantly by both independent upstarts and corporate behemoths, even if they were only distributed within the confines of this unconquerable East African nation.
For many who hold this set in their hands, the music created in ‘70s Ethiopia will sound both familiar and alien: while the trappings of ‘70s Ethiopian music carry some aspects that those in the West will easily identify with – trap drum kits, jazz big-band styled horn sections, guitars played through wah-wah and fuzz pedals – the Ethiopian style of singing, and the modes in which the musicians move, may confound and transfix.
Perhaps some who have delved into Mulatu Astatke’s instrumental Ethio-Jazz will have a context in which to engage this, presumably the last great, unheard catalog of ‘70s Ethiopian music.
Though Mesfin was forced underground by the Derg regime that took control of Ethiopia in 1974, he has returned almost 50 years later with this triumphant set of five albums – and the first time that his music has been presented in this form.
These five albums give us a chance to discover a rare & beautiful moment in music history, in anthologies built from Mesfin’s uber-rare 7” single releases and from previously unreleased recordings taken from master tapes. You can order Ayalew Mesfin's Complete Works 5LP set or any of the individual albums via Rappcats mail order site right here. Check the track list following the short documentary and a Ayalew Mesfin performance backed by Boston's Debo Band in Utrecht from last November.
Ayalew Mesfin – The Complete Works
Good Aderegechegn (Blindsided By Love)
3:56Ayalew MesfinHasabe (My Worries)
3:25Ayalew MesfinEwedish Neber (I Used To Love You)
4:02Ayalew MesfinTezetash Rekik (Memories Of You)
3:38Ayalew MesfinEndet Liyesh (How Can I See You)
5:07Ayalew MesfinEkul Teramedu (Walk As One)
3:49Ayalew MesfinGood Aderegechegn (Blindsided By Love)
4:51Ayalew MesfinWubeet (Beautiful)
3:20Ayalew MesfinYewefe Ber Abeba (Like A Beautiful Bird)
Yaraandoo (previously reissued by Roundtable) and Hara are part of the Now-Again Reserve subscription service.
Originally privately pressed in tiny numbers in Canberra in the mid-‘70s, Australian guitarist Rob Thomsett's Yaraandoo & Hara LPs have become sought after examples of the best in progressive jazz/rock, due, in part, to the enthusiastic support of Archdrude Julian Cope.
“Taking in impressionistic hazy instrumental jazz … muscular fusion moves, solo Mellotron pieces as heavenly as anything Beethoven or Handel ever concocted, extremely loose-limbed ethno-fusion soundscapes of the Don Cherry/Pharoah Sanders variety, film soundtracks … and electronic experimentalism … hair-raising, soul-searching beauty – with an overall dreamy, hazy quality that perhaps could only be written by an Australian fully conversant with the “Dreamtime” cultural feel for the myths and legends of the Outback.” – Julian Cope’s Head Heritage.
Tweeted Now Again label mastermind Egon: "LP #4 in the Now-Again Reserve subscription series: Australian guitarist Rob Thomsett's 'Hara', the second in a 2 LP set. The Reserve series has gone so well I'm extending it (at least) another year. I'll announce album #5 later this year. Hint: it's from America's Midwest and is previously unreleased." Listen to Rob Thomsett's explorations below.
The "lost" album by James Brown's JBs backing group featuring Bootsy Collins is being issued by Now Again.
In 1970 James Brown perfectly captured a definitive moment in modern music when he called Bootsy Collins into the studio to record the tracks that would be These Are The J.B.’s, a title given to a King Records test-press LP that was never released, and only rumored to exist.
This album is the epitome of funk music, Brown’s innovation that influenced everything that came after it, from Afro-beat to disco to hip-hop. And if there is any funk ensemble as influential as Brown’s in the post-“Cold Sweat” musical landscape, it’s the Bootsy Collins/Parliament/Funkadelic contingent. Those two streams, as Grammy-winning James Brown historian Alan Leeds details in this album’s liner notes, converged for the first time here, making this a Rosetta Stone of funk’s dominant idioms.
This link between Brown’s funk and all that followed features Bootsy and his young band running through twelve-minute instrumental take of Marva Whitney’s “It’s My Thing,” replete with blues chord changes, alongside interpretations of the Meters, Kool and the Gang and none other than Jimi Hendrix. This is a young band’s James Brown-turned-on-his-head style of funk that they nail in a one-minute vamp that embodies the essence of the psychedelic-flavored music that would propel them into the orbit of George Clinton’s mothership.
This is the first commercial issue of this 4-song album, overseen by Now Again’s Eothen “Egon” Alapatt alongside Leeds and Universal Music Group’s resident James Brown expert Harry Weinger. It was mastered specifically for vinyl by Elysian Master’s Dave Cooley, from the original two-track stereo master that James Brown and his engineer Ron Lenhoff delivered to production forty-four years ago. It’s packaged in a thick, “tip-on” jacket, with a booklet with liner notes by Leeds and Alapatt and unpublished photographs.
These Are The J.B.'s, the previously unreleased and unheard 1970 album by James Brown’s backing band the JB’s featuring Bootsy Collins will be released on November 28, 2014. Limited to 3000 pieces – VINYL ONLY. Pre-order your copy right here.
Being based in Los Angeles, Now Again mainman Eothen "Egon" Alapatt was determined to make his compendium of California's best small label soul, funk and disco joints from the golden era the last word on the subject. And from the looks of it, the 15-track Soul Cal collection of rare and unreleased tracks (spanning 1971 to 1082) spread over 2 LPs that comes packaged with an 80-page book documenting each band’s unlikely-but-true story with period snapshots is as close to a definite survey as you'll ever get.
While other reissue operations seem to have no qualms about tossing off similar scene retrospectives in a weekend and then moving on to the next, Egon spent a full decade piecing Soul Cal together – tracking down tough-to-find group members, digging up master tapes and looking through dresser drawers for small fragments of photo evidence to complete the mammoth project.
The relatively obscure artists profiled – including Stanton Davis' Ghetto Mysticism, the UPC All Stars, Pure Essence, Anubis, Freedom Express and others – are the bands that kept the funky soul alive during the darkest days of pre-fab corporate disco. Recording and self-releasing their masterworks to an indifferent audience during the late 70s, most of this music would remain largely unheard until Egon came along with a plan to restore and recirculate these important lost artifacts.
Starting in 2003 with You Can Be A Star b/w To Be Free by the Luther Davis Group, Now Again began reissuing these choice jams on 12" vinyl with generic sleeves through their Soul Cal Records subsidiary and continued with 12 more through 2008 with the last being Mixed Feelings' Sha-La-La.
Of course as we now know, that was merely the set up for the full-on Soul Cal experience – a gatefold double LP and CD with an 80-page perfect bound book printed on heavyweight stock. Here's the complete track listing:
Soul Cal: Disco and Modern Soul Masterpieces, 1971-1982
You Can Be A Star - Luther Davis 4:44 Don’t Get Discouraged - UPC All Stars 3.36 Wake Up - Pure Essence 6:10 Ecology - Anubis 3:57 Put A Smile On Time - Rhythm Machine 3:52 I’m Gonna Miss You Girl - Ellis and Cephas 2:53 Bad Feeling - Mixed Sugar 3.:04 Free Your Mind - Record Player 3:51 Sha-La-La - Mixed Feelings 3:28 Love Is (Full Version) - Leon Mitchison and The Eastex Freeway Band 4.40 Keep Running Away - Clifford Nyren 4:24 Things Cannot Stop Forever (Remix) - Stanton Davis' Ghetto Mysticism 4.46 The Stranger (Edit) - C. Henry Woods 8:35 Get Down - Freedom Express 3:26
Those intrigued enough by Egon's dope remix of the stellar Stanton Davis track Things Cannot Stop Forever to want to hear more from his Ghetto Mysticism ensemble really need to check out the recent Cultures Of Soul reissue of the Boston-based combo's incredible jazz-funk epic Brighter Days album from 1977.
Some may already be familiar with the Ghetto Mysticism's magic from the tune Space A Nova, a club spin of UK celebrity selecta Gilles Peterson who comped it on 2009's Freedom Rhythm & Sound: Revolutionary Jazz & The Civil Rights Movement 1963-82 (Soul Jazz) but unlike many indie jazz LPs of the period, every track on the album is a winner. From the furious paced original version of Things Cannot Stop Forever to the hard bumpin'Funky Fried Tofu and the majestic title track all the way through to the deep closer High Jazz, the whole Brighter Days album is exceptionally solid. And Cultures Of Soul head honcho Jeff Swallom has done a superb job of mastering the limited-run vinyl reissue – which sounds better than my original copy – and same goes for the first-ever CD release.
In quick succession over the last three years, Cultures Of Soul have knocked out an impressive assortment of soul and funk rarities on seven-inch vinyl in strictly limited quantities including a Northern corker from Kentucky garage crew Explosive Dynamiks. The topside screamer Whole Lotta Loving and the soul ballad flip I Need You were originally recorded in Lexington back in 1966 for the Lemco label also known for the swinging organ instrumental twin-spin Hush Puppies b/w Sweet and Sour by The Titans.
Using his Deano Sounds alter-ego, Swallom also curated the World's Funkiest Covers collection which brings together some old classics like Ray Barretto's version of Stevie Wonder's Passtime Paradise and Mongo Santamaria's percussion heavy blast through Cloud Nine along with more recent revisions like Nostalgia 77's jazzy swing at the White Stripes' Seven Nation Army.
Perhaps the most anticipated Cultures Of Soul project ever is their forthcoming Jungle Funk 7" set of unreleased vintage material from Ghanaian funk bashers the Afro Kelenkye Band. Assembled with the assistance of Frank Gossner of Voodoo Funk fame, the recordings date back to the peak period of Jagger Botchway's band, just after they put out their classic Moving World album in 1974. So the story goes, the group went back into the studio while still hot to record more tracks but ran out of money. The recordings were shelved and gathered dust for the next 40 years until they were brought to Gossner's attention who in turn tipped Swallom to the incredible find.
The double seven-inch Jungle Funk pack has been mastered from the original reel-to-reel tapes and comes housed in a period-appropriate sleeve designed by Gossner in the style of Augustus Kerry Taylor's dope original cover for Moving World. It's due out on May 8th but you may want to pre-order a copy directly from Cultures Of Soul (see LINKS below) because they're only pressing 1,000 copies and dealers will no doubt be stocking up to flog at ridiculously inflated prices once it sells out.
This year, February could be considered Fela Kuti History Month. With the critically acclaimed Bill T. Jones Broadway musical FELA! currently packing 'em in at New York's Eugene O'Neill Theatre pimped out to look like The Shrine, the late Nigerian Afrobeat shaman is having his music back catalogue given the ultra-fancy reissue treatment.
On February 16, Knitting Factory Records launches the first phase of their chronological roll out of Fela's finest recordings with the Chop N' Quench Deluxe Package bringing together nine albums worth of material originally cut between 1969 and 1974 (including The '69 LA Sessions, Live With Ginger Baker, Fela's London Scene, Shakara, Roforofo Fight (plus 2 singles), Open & Close, Afrodisiac, Gentlemenand Confusion) on six digi-packs with original artwork along with Carlos Moore's authorized biography Fela: This Bitch Of A Life. For those with no interest in CDs, Knitting Factory is also offering a digital download version in 320 kbps MP3s (plus free Apple Lossless file upgrade) as well as ringtones. So if your mom happens to call you while you're out power lunching with Jay-Z, it'll be considerably less embarrassing if your cellphone suddenly starts blaring out the horn riff from Shuffering and Shmiling.
For those who grabbed all the Fela Kuti stuff they needed during the prior reissue onslaughts of Universal and Wrasse, the Now Again subsidiary of Stones Throw has come up with the perfect set to complement the collection of the Fela fan who has everything. Black Man's Cry: The Inspiration of Fela Kuti is a cleverly conceived 15-track selection of obscure covers, tributes and thinly disguised rip-offs from around the globe which reveal the unmistakable influence of Fela's music from the 70s right through to today.
Along with the expected contributions from Fela's Nigerian contemporaries, there are a few surprises from South America and the Caribbean. For some unknown reason, Fela's tune Black Man's Cry is a repertoire staple for a number of steel pan bands and there are three different recorded versions included here, with the GTE sponsored Slyvania East Side Symphony and Mosco Tiles Fonclaire Steel Orchestra both performing it as a medley with Egbi Mi O – go figure. The unexpected highlight however is Lisandro Meza's squeeze-box fueled blast through Shacalao which will be a shock to anyone familiar with the Colombian accordion king's more popular vallenato recordings that followed years after that self-released single was recorded. Vinyl enthusiasts will appreciate the fact that Black Man's Cry compilation will also be issued as a limited box set of four 10" records as well as a single CD.
Here's the track listing:
Black Man's Cry: The Inspiration of Fela Kuti
1. Dan Satch And His Atomic Band - Woman Pin Down
2. 6th Infanrty Brigade Of The Nigerian Army - Black And Proud
3. Bola Johnson - Never Trust A Woman
4. Bola Johnson - Hot Pants
5. Segun Bucknor - Adebo
6. Jerry Hansen - Sisi Mi
7. Phirpo Y Sus Caribes - Comencemos
8. Cumbia Moderna De Soledad - Shacalao
9. Lisandro Meza - Shacalao
10. Lever Brothers Gay Flamingoes - Egbi Mi O, Black Mans Cry (Medley)
11. Mosco Tiles Fonclaire Steel Orchestra - Black Mans Cry
12. Sylvania East Side Syphony - Egbi Mi O, Black Mans Cry (Medley)
13. Daktaris - Up Side Down
14. Karl Hector And The Malcouns - Toure Samar
15. Whitefield Brothers - Lullaby For Lagos
Not to be left out of the February Fela festivities, Soundway is putting out their fourth installment of their ongoing Nigeria Special archival compilation series, Nigeria Afrobeat Special: The New Explosive Sound in 1970s Nigeria. Compiled by Soundway boss Miles Cleret, the triple LP set (also available on disc with five less tracks) due out February 22 favours obscurity over quality with disastrous results.
Loading up collections with unknown oddities wasn't as much a problem when Cleret began doing these regional compilations but since rival compilers started concentrating their digging efforts on West Africa as well, there have been fewer amazing "lost" artifacts on his sets and more mediocre tracks by relative unknowns. Nigeria Afrobeat Special's main attraction is the Fela Kuti & Africa 70's original 45 version of Who're You? before the song was re-recorded at Abbey Road for the Fela's London Scene album. All the rest, well, not terribly explosive.
Nigeria Afrobeat Special
1. Fela and The Africa 70 - Who re you? (Original 45 Version)
2. Bongos Ikwue and The Groovies - Otachikpopo
3. Orlando Julius and His Afro-Sounders - Afro-Blues
4. Saxon Lee and The Shadows International - Mind Your Business
5. Eric Showboy Akaeze and His Royal Ericos - We Dey Find Money
6. Mad Man Jaga - Hankuri
7. The Nigerian Police Band (The Force 7) - Mori Keke Kan *
8. Bob Ohiri and his Uhuru Sounds - Ariwo Yaa
9. The Anansa Professionals - Enwan
10. Godwin Omabuwa and His Casanova Dandies - Do The Afro Shuffle
11. The Tony Benson Sextet - Shish Ke Bab *
12. Segun Bucknors Revolution - Gbomojo
13. The Black Santiagos - Ole
14. Abiodun Bakare and His Kobis band - Nigeria *
15. The Martins Brothers Dance Band - On Shakara O *
16. The Sahara All Stars - World People *
* Vinyl only tracks
Further on the Fela tip, the man of the hour is featured on the cover of Wax Poetics No. 39 – The Africa Issue which is currently on stands. In addition to an excerpt from Carlos Moore's aforementioned biography Fela: This Bitch of a Life, there are informative features on Fela's drummer of choice, Tony Allen, Nigerian illustrator Ghariokwu Lemi responsible for Fela's mind-bending record sleeves, Senegalese super stars Orchestre Baobab, Mali's awesome Rail Band, Benin's Orchestre Poly-Rythmo, Pax Nicholas and DJ Rich Medina. There's also a profile on obsessive digger Frank Gossner behind the consistently great Voodoo Funk blog who is readying a reissue compilation of his own called Lagos Disco Inferno 1976-81, soon to be released by Academy LPs who recently reissued sought-after African grail items by The Mebusas, S.J.O.B. Movement and Ofege.
Fela Kuti - Don't Gag Me, Live in Calabar, Nigeria 1971
As it turns out, the first great album release of 2010 is not Vampire Weekend's Contra after all, it's the Whitefield Brothers' Earthology (Now Again), the long overdue follow-up to 2002's In The Raw (Soul Fire).
Whereas the full-tilt garage funk of Germany's mysterious Jan and Max Weissenfeldt had been putting down under their Whitefield Brothers alias – they're also known as the Poets Of Rhythm, Pan-Atlantics, Soul-Saints Orchestra, Mighty Continentals, Bus People Express and the Malcouns – had already begun showing the hallmarks of a West African inspiration, they've worked through their Afrobeat jones in the years between Whitefield sessions. These hombres aren't your typical "world music" dabblers, they're more like dedicated cultural research scientists seeking alternative remedies for repetitive rhythm fatigue in hopes of ultimately finding a cure for indie-rock boredom. All of the time not spent collaborating with musicians from around the globe to glean their modes and moves (Max reportedly even took a fact-finding trip to Burma to pick up the finer points of Saing Waing music), they were piecing together the funky secrets from the ancient vinyl artifacts they'd excavated. That's not to suggest the resulting Earthology album sounds like it came out of a laboratory. On the contrary, the Whitefield Brothers pride themselves on their "raw soul" attack and although some of the grime has been removed to give clarity to the colouring of the gongs, flutes and various exotic string and percussion textures, the grooves are still built on a foundation of hard-pounding drums and bumpin' basslines which remain stone solid throughout.
Since they've had the necessary time to absorb their influences, they're able to create exciting new compositions that are uniquely Whitefield Brothers which may recall something you've heard from Multatu Astatke, Salah Ragab or Mustafa Özkent without aping them. The addition of guest vocalists including the fantastic Bajka along with credible rappers Percee P, Mr. Lif, MED and Edan in addition to the stellar supporting cast of musicians from El Michels Affair, Antibalas as well as the mighty Dap Kings horn section ensures that there will be no mistaking Earthology for anything but a contemporary funk masterwork of devastating power.
Boston-raised MCs Mr. Lif and Edan throwdown on the album's lead single, The Gift which you can check out here.
Now Again has just released The Gift as part of a 12" EP featuring Oh No's Gifted remix and instrumental versions of each. It comes housed in a beautifully illustrated sleeve by Lewis Heritz who also designed the dope Earthology cover.
Obsessive collectors should note that there's also a super limited Whitefield Brothers seven-inch single which boasts the otherwise unavailable track Savannahstan (with Castor Pollux on drums). It's available exclusively with initial copies of Earthology purchased at the Stones Throw site. See link below.
Ever since the darkly exotic music of Mulatu Astatke was given a starring role in Jim Jarmusch's quirky comedy Broken Flowers, people have been booking flights to Addis Ababa and turning over rocks to uncover more of Mulatu's magical Ethiopian jazz innovations from the 60s and 70s. While a portion of his vintage work has appeared as part of the excellent Ethiopiques series – Vol. 4: Ethio-Jazz and Musique Instrumental 1969 - 1974 (Buda) culls 14 instrumental tracks from two Ethiopian LPs originally issued in 1972 and 1974 – there's still loads of amazing stuff to be rediscovered. His enjoyable Latin-flavoured jams recorded in Brooklyn and issued in small runs on the tiny Addis Ababa and Worthy labels was the source of Mulatu's initial profile boost amongst vinyl hounds, beat diggers and club selectors yet for a long time the only way you could get Mulatu of Ethiopia, Afro-Latin Soul and Afro-Latin Soul Vol. 2 was dropping serious dough.
Clearly, a comprehensive Mulatu Astatke career overview is long overdue. While the Strut label's new Mulatu reissue comp New York - Addis - London: The Story Of Ethio-Jazz 1965-1975 is by no means definitive, the 20-track set is well-intended attempt to at least cover the bases. Compiled by Soundway label boss Miles Cleret (who also supplies the informative notes), the set is could be considered an expanded version of his own label's Multatu Astatke 10" EP from 2005 as those same four tracks Emnete, Ebo Lala, Yefikir Tizita and Asiyo Bellema are used as the jump off point for a sampling of Mulatu's London and New York work before returning to Ethiopia for his classic Amha label joints that have already appeared in the Ethiopiques series.
It's all solid material and if you liked what you heard in Broken Flowers, there's much more to love here but it would've made for a more worthwhile release had Cleret dug up more of Mulatu's exciting recordings not previously compiled elsewhere. Still New York - Addis - London is the best single disc survey of Mulatu's incredible legacy available, if only by default. Listen here: mulatu-ethiojazz.com
One Mulatu Astatke track that was missed, Alemiye (featuring Belaynesh Wubante and Assegedetch Asfaw), appears on the super dope Psych Funk 101 (World Psychedelic Funk Classics) CD/LP collection which takes a tip from B-Music's Cross Continental Record Raid Road Trip series to seek out fuzzy funked-up obscurities from Turkey, Russia, Iran, South Korea and other far-flung places you wouldn't expect overamped head-nodders to have been cut in the late 60s and early 70s.
Apart from the top-notch track listing – including fab freakouts from the mysterious Staff Carpenborg, Italian exploito-soundtrack ace Armando Sciascia and George Garanian's well-respected Melodiya Jazz Ensemble – the great thing about this diverse set is the packaging which includes a 36-page booklet filled with fantastic full colour sleeve images from the original records which you'll never otherwise encounter in this lifetime. Right on!
If Psych Funk 101 has the look and feel of one of Stones Throw's Now Again comps, it might have something to do with the fact that label honcho Egon assisted with the licensing. It's also available at a reasonable price on the Stones Throw site: stonesthrow.com
Not to be outdone by some achivist upstarts, Egon has assembled a killer psych set of his own called Forge Your Own Chains: Heavy Psychedelic Ballads and Dirges 1968-1974 (Now Again) CD/2LP. It comes packed tight with brilliant brain scramblers from mad, bad and sometimes sad hombres like Baby Grandmothers, Shin Jung Hyun & The Men, Kourosh Yaghmaei, T. Zchiew & The Johnny along with some creeps you may have actually heard about such as Morly Grey, East Of Underground, Shadrack Chameleon and Montreal sluggers Ellison. The accompanying documentation is just as tight and I'm not just saying that because I contributed a few lines to the liner notes. Initial copies ordered from the Stones Throw site come with a limited Guilty Simpson-blessed promo single My Time To Shine. You'll need it.
Here are the tracks:
1. Top Drawer “Song of a Sinner” 8:44
2. Sensational Saints “How Great Thou Art” 3:35
3. East of Underground “Smiling Faces Sometimes” 6:27
4. D.R. Hooker “Forge Your Own Chains” 4:45
5. Shin Jung Hyun and the Men feat. Jang Hyun “Twilight” 5:40
6. T. Zchiew and The Johnny “Let Yourself Be Free” 3:46
7. The Strangers “Two To Make A Pair” 2:52
8. Damon “Don't You Feel Me” 2:36
9. Ellison “Strawberry Rain” 5:33
10. Morly Grey “Who Can I Say You Are” 3:45
11. Shadrack Chameleon “Don't Let It Get You Down” 4:44
12. Ofege “It's Not Easy” 4:25
13. Ana Y Jaime “Nina Nana” 3:18
14. Kourosh Yaghmaei “Hajm-e Khaali” 2:42
15. Baby Grandmothers “Somebody's Calling My Name” 9:13
