Showing posts with label New Bomb Turks. Show all posts
Showing posts with label New Bomb Turks. Show all posts

Tuesday, July 29, 2025

New Bomb Turks, The Drowns & Fluffio rock the Horseshoe, July 29

Eric Davidson and his Columbus punk crew New Bomb Turks promise a whumpin' good time and never fail to deliver! Check the clips below. 

New Bomb Turks still rockin' with ferocity 
NBT at CBGBs in '93 by Shawn Scallen
Watching the footage of the New Bomb Turks tearing it up for the hometown crowd at Ace Of Cups (see below) reminds me of the first time I saw Eric Davidson and his Columbus attack unit in action at the New Music Seminar in New York City way back in 1993. 

They were last on a multi-band showcase bill at CBGBs where many of New York's Lower East Side music celebs – including Sonic Youth's Kim & Thurston, Pussy Galore's Jon & Christina, among others – had gathered to see Guided By Voices play their first ever show outside of Ohio. Word was that they hadn't played a show in six years so no one knew what to expect including Mike D. from the Beastie Boys who was intrigued by what he'd heard on a mixtape put together by Matt Sweeney culled from GBV's self-released recordings to date. 

"From the tape I heard," chuckled Mike D. shaking his head, "it sounded like maybe four or five different bands. I'm curious to see which one of 'em shows up tonight." Although I had a couple of their albums, I was no more up on their recent activities than anyone else. But I suggested that it might be worthwhile to hang around for New Bomb Turks set afterwards. "New Bomb who?" he shot back, "no idea." 

By the time GBV played their final tune, it was around 2:30 am and Mike D. along with the rest of the assembled glitterati had checked out long before. Quite a few folks split during the lengthy change over and it was now close to 3 am but Ottawa-based photographer Shawn Scallen, my future Now Magazine colleague Matt Galloway and I were determined to see what the fuss was about. 

The way Eric Davidson and his slouchy NBT crew sauntered on stage, it looked as though this might not be their night. But from the first snare drum crack, a switch seemed to flip and suddenly, they were blasting away full tilt. Davidson wound the microphone cord tightly around his clenched fist and began shouting with confrontational ferocity, mugging and strutting comically during the thrashy guitar breaks then continuing to spit fire one song right into the next. 

The remaining spectators – which minutes before were wandering semi-comatose looking ready for a snooze – rushed to the stage and coalecsed into a heaving mosh pit. As anyone who has ever attended a music conference in Manhattan will tell you, that's definitely not something you typically see at these kind of events which are usually filled with jaded journalists, disinterested publicists and bored label reps, managers, agents and musicians – particularly not for a relatively unknown band at 3 am. 

Just as I turned to see if Shawn was getting this crazy action on film, a horizontal Davidson floated by me on the left, being passed around on the outstretched hands of the sweaty crowd. still hollering away while looking up at the ceiling. That's what you get when you go to a New Bomb Turks show. Check the clips below.






Wednesday, March 26, 2025

New Bomb Turks announce Toronto show with The Drowns on July 29th!

Eric Davidson and his Columbus punk crew return to Toronto for a show at the Horseshoe July 29 – tickets on sale Thursday (March 27) at 10 am.

Here's the scoop...

Columbus punk legends The New Bomb Turks are bringing their raw, high-voltage garage punk to Toronto's Horseshoe Tavern on July 29th!  Formed in 1990 at Ohio State, these underground icons have been fusing prole-threat punk, destructo-rock, and garage chaos for over three decades. 

Joining them are Seattle’s street-punk powerhouse The Drowns, who just unleashed their latest album, Blacked Out. With a sound that fuses 50s rock ‘n’ roll, 70s glam, and ’77 punk, they’re keeping the fire burning for the working class and the die-hard rockers.

This one’s gonna be loud, fast, and unforgettable. Don’t sleep!

Tickets are $32 advance and on sale this Thursday (March 27) at 10 am EDT! Get 'em right here

Watch the New Bomb Turks live at The Horseshoe back in 2002, Lee's Palace in 1998, The Opera House in 1997,  Much Music in 1996, Lee's Palace in 1996 as well as a Rotate This! in-store also from 1996 below. 










Friday, February 2, 2024

New Bomb Turks' 1993 classic debut Destroy-Oh-Boy gets a vinyl upgrade

Remastered from the original tapes, this New Bomb Turks' Destroy-Oh-Boy reissue comes with the bonus track "Out Of My Mind"

Here's the scoop from Crypt HQ...

NEW BOMB TURKS "DESTROY-OH-BOY" LP - updated and newly remastered LP edition of this January 1993 ALL-TIME PUNK-ROCK CLASSIC, NOW with a BONUS CUT, “OUT Of MY MIND” from the original Destroy-Oh-Boy session (previously only available on a 3” CD included in French zine Abus Dangereux). This bonus cut and new master is “thanks” to the assholes at the pressing plant in Eastern Europe for THROWING OUT the original D-O-B metal mothers*, so luckily MORITZ at DUOPHONIC in Augsburg baked and transferred the original reel-to-reel tapes and lovingly re-cut a beauty of a new master! Comes with a 2-page 30cm x 30cm insert crammed with pix & liners by John Petkovic (Death Of Samantha) and a slew of musician/fan ravings. 

Get a copy directly from Crypt Records right here. Have a listen below. 




Saturday, December 18, 2021

That time the New Bomb Turks played a Rotate This in-store

Check out Rick Scullion's footage of Columbus punch-rock kingpins in the back room of a venerable Toronto record shop from '96. 


Friday, August 7, 2020

New Bomb Turks' Nightmare Scenerio reissued with original Jim Diamond mix

"These are the original mixes I did without the band there to get in the way," sez Jim Diamond. "That's the best way to do it, hehe."


Here's the scoop...

It was spring, 1999. New Bomb Turks had just returned from their first tour of Australia in a suspended animation. They soon procured ace drumsman, dessert aficionado [not a typo], and all-around great guy, Sam Brown. It suddenly felt like a brand new beast, but they had an album to deliver forthwith, and nary a new song in sight! Nails were chomped to the cuticle, empty beer cans sat in the corner mocking us… 

Like a Phoenix rising from the ashes (or at least like a bartender finding another unopened bottle of mezcal at last call), New Bomb Turks soared again. Within four months (May-August 1999), Sam slipped right into the NBT stool, 12 new songs were cooked up easy as fryin’ an egg, and they were back on the road with the Hellacopters to hash those new ones into place. 

By the time the band got to Jim Diamond’s Ghetto Recorders studio in Detroit – his rep revving up from production jobs with the curdled cream of that Detroit trash-rock scene (Clone Defects, Detroit Cobras, Dirtbombs, White Stripes, Andre Williams) – New Bomb Turks were piqued like a baby screamin’ for a higher push on a swing set. 

Over four days and nights, the band enjoyed their easiest and most fun recording session – the only break being a jaunt over to a bar to see a reunited Real Kids, their first show in years, which floored the band and only added more mezcal to the fire. 

Final mixes were left to Jim Diamond, and by the time he forwarded them to the band, overdub ideas had hatched, and about half the record was remixed with local studio wiz, Jeff Graham, in Columbus. A middle ground was eventually found, and what resulted was Nightmare Scenario (Epitaph Records, 2000) – the fifth album in their six album/three compilation catalog, and the one the band believe is their best. 

Like every band ever, the years have supplied moments of mixing rumination. So last year, when the band saw the 20th anniversary of Nightmare Scenario right up on their ass, they asked Jim Diamond if he had his original mixes lying around his palatial estate. He found them on a DAT (look it up, kids) tucked underneath a pile of professional recording deck manuals (i.e., old MAD mags). Lo and behold, they were even more ripping and burning and stinging than remembered. There was the 20th birthday idea, screamin’ like a brat! 

So here you have the original mixes of Nightmare Scenario that Jim Diamond finished in November 1999, ensconced deep in his legendary, now torn-down Detroit digs. Ain’t saying it’s better than the original, just leaner and meaner. But don’t take our word for it – take yours when you’re screamin’ along too! 

– Lance Forth, July 2020 (Astoria) 

Get a copy of The New Bomb Turks' Nightmare Scenerio: Diamond Edition via Bandcamp right here

NOTE: 100% of monies generated by this digital release of Nightmare Scenerio: Diamond Edition will be donated to Black Queer & Intersectional Collective bqic.net and Columbus Freedom Fund www.instagram.com/columbusfreedomfund. We encourage those who have the means, if so moved, to please pay more than the list price for this release. Don't sweat it if ya can't. 

In Solidarity, 

NBT 

Watch the New Bomb Turks play the Bizarre Festival in 2000 below. 




Friday, May 22, 2020

That time New Bomb Turks played Toronto's Rotate This in 1996

Back in 1996, Ohio's New Bomb Turks stopped by Toronto record shop Rotate This for an in-store. Also, check out their Sneaky Dee's show from 1994. 


Monday, May 11, 2020

90s Nostalgia: New Bomb Turks at Lee's Palace in Toronto

Here's Eric Davidson and crew doing The Stones' "Jivin' Sister Fanny" followed by a cover of "Shake" with Danko Jones at Lee's Palace in 1996.



Also, here's NBT's "Sucker Punch" promo clip from 1991





Tuesday, September 18, 2018

Supersuckers honour lesser known greats in their History Of Rock 'n' Roll

"History Of Rock 'n' Roll" w/ shoutouts to Danko Jones, Zeke, L7, Gories, Lazy Cowgirls, New Bomb Turks, etc is off  the Suck It album out Sept. 21. 


Thursday, December 17, 2015

We're Loud Athens w/ New Bomb Turks

New Bomb Turks are featured in the new Slovenly Records documentary We're Loud Athens due January 15.


Wednesday, May 26, 2010

Eric Davidson's tales from the punk crypt

For every band like Nirvana and the White Stripes that broke out of the 90s punk and garage rock underground and wound up playing huge outdoor festivals while selling millions, there were hundreds, if not thousands, of other amazing artists slugging it out nightly the same scene who never made it out their Econolines. Thinking back, the most incredible rock 'n' roll shows I witnessed over the decade never involved major label acts and they certainly didn't happen in enormous sports arenas packed with thousands of screaming fans. Nope, they usually went down in small scuzzy bars littered with a handful of woozy regulars who didn't plan on having their drinking night interrupted by a menacing bunch of malnourished miscreants thrashing away at beat up guitars.
Since these weren't the sort of places where you'd expect to find music journalists sniffing for the next big thing or news photographers snapping shots, many of the most mind-roasting moments of the era were never adequately documented let alone reported to the general public. Consequently many incredible bands like the Mummies, Dwarves, Lazy Cowgirls, Devil Dogs, Supersuckers, Halo Of Flies, Untamed Youth, Cheater Slicks, Teengenerate, Compulsive Gamblers, Oblivians, Gories, Lord High Fixers, Black Top, Jack O' Fire, the Make-Up, Sugar Shack, Motards, Fatal Flying Guilloteens, etc. never got the attention they deserved, until Eric Davidson decided to write a book about them called We Never Learn: The Gunk Punk Undergut, 1988-2001 (Backbeat Books).
And really, who better to chronicle the terrifying-but-true tales of these 90s no-counts than a certified shit-disturber like Davidson who was often right there in the middle of the mayhem? Before he became an eminently competent Village Voice, CMJ and SF Bay Guardian contributor, Davidison was better known as the comically confrontational frontman of the mighty New Bomb Turks, probably the greatest band ever to come out of Columbus, Ohio. I vividly remember the first time I saw the Turk's, it was at CBGBs sometime after 3 am following the rousing New York debut of Guided By Voices. Despite the fact that there was only about 15 people left in the place – the members of Sonic Youth, Pussy Galore, Mike D and various employees of Matador and Nasty Little Man who'd come to find out what the all the GBV fuss was about had split hours earlier – the Turks put on a ferocious attack led by the incessantly mugging Davidson who spent half the set dangling from light fixtures and air vents to the astonishment of Ottawa-based photographer Shawn Scallen, Matt Galloway, myself and Jim "Foetus" Thirlwell who just wanted everyone to leave so he could go back to sleep. Clearly this Davidson hombre knows his shit.  
Rather than a dry, scholarly study of the era, Davidson instead assembled as more of a series of hilarious, sometimes horrifying yet historically relevant reports from the frontline, letting the key players tell their wild-ass stories in their own words. The interview bits and pieces that didn't make the final cut (see my pal Allyson Baker's fond recollection of meeting the Dwarves below), which Davidson has regularly been posting on his site (weneverlearnbook.com), should be indication enough that you need to pre-order a copy on the double. The street date for We Never Learn is June 1 and it should be noted that Amazon.com is momentarily offering it at the discounted rate of $13.59 US here.  Once you get it, you can use your code to grab a copy of the 20-track compilation Davidson has put together as a companion MP3 download right here.


*************************


That rockin’ gal in the flier is TCC guitarist Allyson Baker. She kindly let us crash at her parents' swanky suburban pad once, and walking past the paneled walls and fine furniture, we get to her section of the house, and her bathroom was covered floor to ceiling in red/white checkerboard tiles and her bedroom was plastered with Dwarves and other deviants posters. We all crashed in her basement, which I have since found out was liberally puked upon by members of the Dirtys…but that’s another story.
The story below is one Allyson gave me for We Never Learn; once again it was to be one of the “sidebars” I wanted to pepper throughout the book, but got cut in the end.
Oh, and Allyson is currently living in Cali and is married to that Aesop Rock guy. Go figure.
Eric Davidson





The Dwarves & Me    by Allyson Baker

I was fresh out of Hebrew school, just started high school, and had recently acquired my first guitar. The word “grunge” was slowly starting to leave my vocabulary, though thanks to Kurt Cobain I was now learning about bands like the Melvins, the Meat Puppets, and Black Flag. Another of Cobain’s faves, Flipper, was coming to Toronto, so I was delighted as shit. Since it was my first time seeing a band at a small club I figured I’d better get there at least four hours early since I imagined there would be a mob of people outside, at the very least there’d be dozens of other 14-year old Nirvana-worshiping girls I’d have to elbow out of my way to get a good spot on the floor.

I got to the venue at 3pm with two other girlfriends who were more scared than I was. We sat outside the doors cross-legged for a few hours before this gangly looking dude in a dirty t-shirt approached us. It was Blag Dahlia, singer of the Dwarves. Blag took one look at us and started laughing. The site of us three girls, one with a mouthful of braces and the other with an emergency pack of Melba Toast in her front pocket, was comedy waiting to happen.

Blag invited us to come in the venue with him, which we immediately declined as we thought there was a small chance we’d be taken under the stage and molested. But he wouldn’t take no for an answer, so after a quick huddle we agreed to join him, deciding that if we all wound up somehow losing our virginity to the Dwarves that night, at least we’d all be together. Blag toted us around all night and introduced us to his band, Flipper, the roadies, the sound guy, the promoter, and even the college radio guy who kept trying to get a good interview from Blag, but wound up leaving with a tape of us talking about why our math teacher is fat and stupid.

The Dwarves finished their sound check and took us to a pizza place nearby. We all sat around eating pizza, talking about why 90210 was the greatest show ever. At this point we’d really warmed up to them and thought that these guys were real decent guys who just liked to play music and watch 90210, just like us!

The Dwarves opened the show, and we sat on the side of the stage very excited to see our new friends perform. The song starts, bottles go flying, Blag throws himself at the audience, and we took off at top speed running to the other end of the club, scared shitless. I was so terrified after watching them onstage for less than a minute that it made me want to jump into the arms of the strung-out guy from Flipper. We decided that we couldn’t hang out with the Dwarves any longer as they had suddenly turned into scary insane dudes.

At the end of the night Blag invited us to an after-party with Flipper, but with the visual of Blag grinding his pelvis into a chick’s forehead on stage fresh in our minds—not to mention the story we’d just heard about the drummer’s indiscretions with a quadriplegic from the night before—that we thought it might be best to just go home. Blag asked us what we were going to do, so we made up some bullshit about going to get food, to which he replied “Great! We’ll join you!” Slightly fearful, we piled in the van and headed to Golden Griddle, an all-night pancake house. We got to the restaurant and wound up having a great time hanging out and listening to these guy’s crazy stories of chicks, drugs, and being on tour.

At one point during the meal, Blag took me to the pay phone by the bathroom and played me dirty messages of some chick moaning and panting on his voicemail. I remember Blag and I with our ears up to the phone giggling at the sound of her having an orgasm into his answering machine. At around 5am, it was time to wrap it up. We said our goodbyes and Blag gave us all CDs and posters that the band signed—and it’s still up on my wall.

I didn’t sleep when I got home that night. I was completely hooked. I wanted every single night from then on to be like that, and so began my mission to make that happen. I started practicing guitar everyday so that I could start a band ASAP and make that my life.



Here's the schedule for Eric Davidson's upcoming book tour:

June 11 - Brooklyn, NY - Academy Record Annex
- pre-Nobunny/Spits show soiree! 7pm

June 26 - Brooklyn, NY - Bell House
- NEW BOMB TURKS reunion gig, featuring LiveFastDie
    Early show! Reading, 6:30; bands, 8

June 29 - Seattle, WA
- Easy Street Records, book signing, 3pm
- Snoose Part Deux (in Greenwood), reading/DVD showing, 8pm

July 1 - San Francisco, CA - Hemlock Tavern
- Happy hour pre-Eddy Current Suppression Ring/Thee Oh Sees party

July 7 - Los Angeles, CA - Stories

July 9 - Columbus, OH - Wexner Center
- After-party DJ jive at Café Bourbon St.

July 10 - Columbus, OH - Surly Girl Parking Lot Blow-Out
- New Bomb Turks gig plus - get this - the Gibson Bros. and Scrawl!!! (More bands TBA)

July 13 - Chicago - Museum of Contemporary Art