Showing posts with label Glenn Gould Studio. Show all posts
Showing posts with label Glenn Gould Studio. Show all posts

Tuesday, June 19, 2012

Good Pinsent Keelor @ Glenn Gould Studio tonight


Although some misinformed journalists have characterized Down and Out In UpalongGordon Pinsent's recent recording collaboration with Travis Good of the Sadies and Greg Keelor – as the Canadian screen icon's "musical debut", Pinsent actually had a brief career as an East Coast singer/songwriter during the mid-60s folk scare. None of the other Canadian stars of the time felt particularly threatened. Never once did Gordon Lightfoot think about changing his name in deference. But then. considering Gord's middle name, performing as Meredith Lightfoot probably wasn't an option.

And as you can see from the sleeve image at left, our man recorded an album called Roots for the Arc label in 1968, five years before Michael Budman and Don Green founded their popular clothing and lifestyle products enterprise of the same name. From the way Pinsent was styled for the album cover photo shoot, it appears he was already a proponent of Roots' summer camp chic. Oh the celebrity branding opportunities missed!

Check out Pinsent's sensitive reading of the old Newfoundland folk tune She's Like The Swallow from the album (below) which I'm guessing you probably won't hear him perform tonight with pals Good and Keelor at the Glenn Gould Studio. Show time is 8 pm. Tickets range from $19.50 through $39.50 and are momentarily still available at the Massey Hall / Roy Thomson Hall online ticket office. Better grab 'em quick.






Tuesday, April 10, 2012

Good Pinsent Keelor @ Glenn Gould Studio in June


Along with today's release of Down and Out in Upalong (TeleSoul/Warner) – for which the Sadies' Travis Good, Blue Rodeo's Greg Keelor have set the poems of celebrated Canadian actor Gordon Pinsent to music – comes the news that the trio will be performing songs from the album at Toronto’s Glenn Gould Studio on Tuesday, June 19 at 8 pm. Tickets for the one-off event are $39.50 and will be available starting Thursday (April 12) at 10 am Eastern at the venue's box office. Here's Greg Keelor's explanation of how the unlikely project came together followed by a couple of clips:

"On a cold day back in March 2010, filmmaker Mike Bolland phoned Travis Good out of the blue to ask him if he’d like to meet Gordon Pinsent. Strange, yes, but even more so because Travis did not know Mike Bolland – had never heard of him. Bolland had been the cameraman on Gordon’s bio-pic Still Rowdy After All These Years and they had traveled all over Newfoundland filming Gordon as he went about the business being Gordon. Up in the hotel rooms, after long days of shooting and a couple of single malts, Gordon would be encouraged to read his poetry. Bolland loved it. Gordon suggested to Bolland that if he knew any musicians he’d love to see these poems set to song. So Mike Bolland’s partner Ann Margetts is friends with Travis’ wife Joanne and by the bye Joanne tells Ann about Travis. Ann tells Mike. Mike calls Travis. Travis meets Gordon and leaves with about 20 poems under his arm. The next day Travis calls me with this great tale of going to Gordon’s, having a couple of beers, Gordon reciting poetry and then asking if he’d help turn these lyrics into songs. Well, I like all of this and volunteer my services as co-writer. It would be a while before we could actually get together – Travis had tours with The Sadies and I had commitments with Blue Rodeo. So a few months later I’m driving over to Travis’ not really expecting very much. When I arrive, Travis is already a little drunk. He’s sitting in the dining room at the table, scattered with wine glasses, ashtrays and a stack of lyrics. Across the room is a piano that Travis will visit many times during the night. The first lyric we did was “Night Light” and I’m just sort of blown away. It’s not easy to make another man’s words sound like your own, but I know this place, I know these people. It was like the song was writing itself. Gordon had told us we could edit his poems as we pleased and this one changed a bit, but for the most part the metre and the mood of his words inspired the melody and the feel of our songs."


Night Light



Let Go

Saturday, May 1, 2010

Diana Panton meets Glenn Gould

It's long overdue, but Toronto jazz fans will finally get to hear what Diana Panton sounds like in a venue built with acoustics in mind when Canada's finest vocal talent makes her Glenn Gould Studio debut tonight.
As always, the well-prepared stylist is selecting the evening's repertoire based on the space, her accompanists, the audience and what she's been working on lately. Since she'll be joined by her recording/performing sidemen of choice – esteemed bassist/pianist Don Thompson and equally tasteful guitarist Reg Schwager – and she won't have to compete with clinking silverware and wine glasses, expect Panton to feature an intimate selection from Pink (www.dianapanton.com) her fabulous recent set of songs based loosely on the theme of new love.
With spring in the air, I can't imagine a better time and place to revel in the purity and richness of Panton's remarkable pipes than the Glenn Gould Studio (250 Front West) tonight (Saturday, May 1) at 8 pm. Admission is $29.50 and while there are apparently a couple of seats still available online, considering the venue's capacity is listed as 341, they won't last long. Panton's all-too-rare Toronto performances have been awesome but this show promises to be the topper – don't miss it.


LINKS
Diana Panton www.dianapanton.com
Don Thompson www.myspace.com/donthompsonjazz
Reg Schwager www.regschwager.com
Glenn Gould Studio www.cbc.ca/glenngould