Showing posts with label Elton John. Show all posts
Showing posts with label Elton John. Show all posts

Monday, January 13, 2025

David Hepworth discusses rock stars who can't retire in his new book

Check out David Hepworth's chat about his new book Hope I Get Old Before I Die on his Word In Your Ear podcast. 

Here's the scoop on Hope I Get Old Before I Die...
From the author of Abbey Road and Never a Dull Moment, the basis for AppleTV's 1971 documentary, come the stories of how rock icons like Pink Floyd, Bruce Springsteen, Mick Jagger, and more have survived, thrived, and remained the most powerful forces in music.

When Paul McCartney closed Live Aid in July of 1985, we thought he was rock’s Grand Old Man. He was forty-three years old. As the forty years since have shown, he—and many others of his generation—were just getting started.

This was the time when live performance took over from records. The big names of the ’60s and ’70s exploited the Age of Spectacle that Live Aid had ushered in to enjoy the longest lap of honor in the history of humanity, continuing to go strong long after everyone else in the business had retired.

This is a story without precedent, a story in which Elton John plays a royal funeral, Mick Jagger gets a knighthood, Bob Dylan picks up a Nobel Prize, The Beatles become, if anything, bigger than The Beatles, and it’s beginning to look as though all of the above will, thanks in a large part to technology, be playing in Las Vegas forever. 

Get a copy of Hope I Get Old Before I Die published by Diversion Books via Simon & Schuster right here. Check out David Hepworth's conversation about his book with Mark Ellen below. 
 


Friday, September 20, 2024

Diana Panton's new album Soft Winds and Roses out October 25

Jazz singer Diana Panton cut versions of modern pop classics with longtime pals Don Thompson & Reg Schwager. Pre-order it here. 



JAZZ VOCALIST DIANA PANTON 
SHOWCASES MODERN CLASSICS FROM THE '60s ONWARD
WITH HER ELEVENTH ALBUM

Soft Winds and Roses (out October 25)

“What makes Panton special is that she’s herself. You feel her relaxed personality throughout, and the quality of her voice is remarkable … a voice that’s as gentle as a doe but smart as a fox. Bravo!”Marc Myers, JazzWax 

“Her vocal style combines a light, buoyant lilt with immaculate phrasing, an authoritative delivery, and a convincing ability to portray the emotions of the lyrics’ protagonists.”Bobby Reed, DownBeat


HAMILTON, ONTARIO – With a career spanning nearly two decades, two-time JUNO Award winner Diana Panton has established herself as one of the brightest lights on the international jazz scene, praised by listeners, musicians, and critics alike for her ethereal vocals, exceptional song selection, and emotive nuance. Diana is pleased to announce the October 25 release of her eleventh album, soft winds and roses.

A departure from Diana Panton’s more recent albums, soft winds and roses features modern classics composed from the 1960s onward, including songs by Lennon and McCartney, Burt Bacharach, Gordon Lightfoot, Don McLean, Ron Sexsmith, Leonard Cohen, Randy Newman, Joni Mitchell, and more. Diana’s signature sound, which Jazz Times called “arrestingly beautiful,” makes every song her own, and the feather-light intimacy of each track is so direct that the lyrics feel like a secret passed between Diana and her listener. The album’s arc follows a relationship, beginning shyly with hard-to-declare feelings, continuing through a deeply emotional connection, and finally separating, with lingering traces of love. 

Why songs from the ‘60s onward?  Diana Panton explains, “Through the years, I have recorded several compilations for the Asian market, and I was often asked to include a bonus track that was a bit more contemporary and well-known in that market than some of my more obscure song choices. Fast forward to the present: I decided to assemble a selection of modern standards composed from the 1960s onward. It was a fun challenge to bring our trio’s distinctive sound to these modern classics, mixing well-known songs, like Elton John's 'This is Your Song' alongside some new jazz standards such as Fred Hersch's 'A Wish (Valentine).'"

On soft winds and roses, Diana Panton’s evocative vocals are backed by the artistry of two longtime musical colleagues – both former members of George Shearing’s ensemble – who have made significant contributions to the beauty and passion of Diana’s previous albums: pianist/vibraphonist/bassist/arranger Don Thompson (Officer of the Order of Canada) and guitarist Reg Schwager (Member of the Order of Canada). The minimalist instrumentation on soft winds and roses enhances the raw emotion of Diana's vocals. Thompson plays as though he is in conversation with Diana, hanging on her every word, sensing her every breath, and responding in kind. Schwager dazzles with shimmering runs, yet is always understated, playing in full support of the lyric.



ABOUT DIANA PANTON
In command of a keen aesthetic sense, Diana Panton has attracted the attention of some of the jazz world’s most respected masters.  When legendary multi-instrumentalist Don Thompson first heard the nineteen-year-old Diana sing, he enthusiastically urged her to audition for the renowned Banff Centre for the Arts Jazz Workshop. It was there that she studied under Norma Winstone, and, in subsequent visits, with Sheila Jordan and Jay Clayton.  When the time arrived for her to go into the recording studio, award-winning guitarist Reg Schwager was invited to join Don Thompson in laying down a collaborative sound that has proved to be, on all of her albums, the perfect setting for the delicate nuance of Diana’s pure vocals. The late, great jazz critic Len Dobin called the product of that first session, …yesterday perhaps, one of the finest debut albums he had heard in years. 

Since the release of that first album in 2005, Diana Panton’s career has gathered astounding momentum, drawing international acclaim for her ten albums and the impressive variety and consistent quality of her catalogue of songs. The numerous honours garnered include JUNO Awards for RED in 2015 and I Believe in Little Things in 2017, three Silver Disc Awards in Japan, eight JUNO nominations, nine Hamilton Music Awards, and a host of National Jazz Award nominations and Canadian and American independent music award nominations. I Believe in Little Things charted simultaneously on Billboard’s Jazz and Children’s Music charts and went to #1 on Amazon’s “Movers and Shakers” chart, following an interview on NPR. The album received a four-star review in DownBeat magazine and was one of their Best Albums of 2016. Diana’s albums have also made the year-end lists of ICI Musique, NOW Magazine, Jazz Critique Magazine, The Montreal Mirror, The Ottawa Citizen, HiFi Trends, and DownBeat, among others, and, in addition to reaching #1 on Amazon and iTunes in Canada and the US, have made bestseller lists in Hong Kong, Japan, and Taiwan.

Friday, June 7, 2024

Didn't I Blow Your Mind? comp offers more Philly soul gems cut by Thom Bell

Along with classics by The Delfonics, Spinners and Stylistics, Thom Bell also produced corkers by Elton John and Lou Rawls. 


Here's the scoop...

Thom Bell, along with Kenny Gamble and Leon Huff, was part of the holy trinity of Philly soul. Reaching an apogee in the early to mid-70s with records for the Delfonics (‘Didn’t I Blow Your Mind This Time’), Stylistics (‘Betcha By Golly, Wow’), the Spinners (‘The Rubberband Man’), and Dionne Warwick (‘Then Came You’), Bell was the classically trained arranger who introduced the celeste, the French horn and the harpsichord to soul music.

Thom Bell: Didn't I Blow Your Mind? The Sound of Philadelphia Soul 1969-1983 (out May 31st via Kent/Ace) is the sequel to “Ready Or Not”, Ace’s first acclaimed compilation of the late Thom Bell’s productions and arrangements. Put together by Saint Etienne’s Bob Stanley, “Didn’t I Blow Your Mind?” combines some of Bell’s biggest and best loved 70s hits with rarities and 80s quiet storm classics such as Deniece Williams’ ‘Silly’ and Phyllis Hyman’s seductive ‘Let Somebody Love You’. Elton John lines up alongside soul legends like Lou Rawls and Eloise Laws.

This collection will appeal to Northern Soul collectors as well as pulling in lovers of smooth 70s and 80s soul. Bob Stanley’s sleeve-notes – with a rare interview with Bell himself - and a wealth of rare photos are icing on the cake.

Bell’s unique and instantly identifiable Philly sound has proved timeless. 

You can pre-order a copy of Thom Bell: Didn't I Blow Your Mind? The Sound of Philadelphia Soul 1969-1983 right here. Check the track listing below followed by The Delfonics' timeless title track, The Spinners' "Rubberband Man" and some grainy 1977 archival footage of Thom Bell's studio playback for Elton John's "Nice and Slow" along with an audio clip of the issued version. 

Thom Bell: Didn't I Blow Your Mind? The Sound of Philadelphia Soul 1969-1983

01  Didn't I (Blow Your Mind This Time) - The Delfonics

02  You Gotta Be A Lady - The Chargers

03  The Rubberband Man - Spinners

04  Got You Into My Life - Eloise Laws

05  You Are Everything - The Stylistics

06  Give In To Love - Ronnie Dyson

07  Nice And Slow - Elton John

08  Take My Hand - New York City

09  Silly - Deniece Williams

10  Then Came You - Dionne Warwick & Spinners

11  Will You Kiss Me One More Time - Lou Rawls

12  Lazy Susan - Little Anthony & The Imperials

13  Betcha By Golly, Wow - The Stylistics

14  Joe - Nancy Wilson

15  Loving You - Losing You - Johnny Mathis

16  Walking Around In Teardrops - Jerry Butler

17  Nobody Knows It - Bell & James

18  Let Somebody Love Me - Phyllis Hyman

19  One In a Million (Guy) - Dee Dee Bridgewater

20  Brandy - The O'Jays





Saturday, March 25, 2023

Happy Birthday Elton John!

Celebrating Elton John's birthday with some demo versions of Nick Drake's compositions recorded circa 1970.  





Sunday, June 16, 2019

Before They Were Famous: Elton John & Nick Drake

Before he was known as Elton John, DJM employee Reg Dwight sang some demos of songs by an aspiring artist named Nick Drake circa 1968. 

Thursday, November 3, 2011

William Shatner: From Rocket Man to Iron Man


To get you in the proper frame of mind for William Shatner's appearance at Massey Hall tonight, here are his unique interpretations of two rock classics, Elton John's Rocket Man at the 1978 Science Fiction Film Awards followed by a recent vocal tracking session for Black Sabbath's Iron Man which appears on his entertaining new Seeking Major Tom (Cleopatra Records) album.   


Rocket Man



Iron Man