Looks sweet but sound library ace Gerhard Narholz cooked up some dark horror soundtrack vibes with John Fiddy on bass.
Neither the jacket design nor the generic title "Descriptive Solo Bass Instruments" of this 80s-looking sound library recording gave much away about what was in-store. But the German Sonoton label typically has high-standards and I found that out first hand back in the mid 80s when I stumbled onto Sam Sklair & Gus Galbraith's trippy futuristic electro treat "The Micro Chip Revolution" (SON 168) which is still my fave Sonton release and deserves to be reissued on vinyl (listen here).
While it was extremely unlikely that "Descriptive Solo Bass Instruments" would be in the same league, the fact that it involves "Mac Prindy," one of the many aliases of the prolific Gerhard Narholz (aka Sammy Burdson, John Epping, Norman Candler, Xyco, etc) along with UK sound library veteran John Fiddy & British jazz bass ace Christopher Laurence, was at least promising. Add to that the track titles, "Demon Dance," "Tyrannosaurus" & "Dissolution" and there was reason enough to look past the cheesy powder blue script sleeve typography to plonk down a dollar for it.
This time the risk paid off as Herr Narholz and associates delivered the deep dark horror soundtrack vibes for Sonoton SON 157 on a few enjoyably creepy albeit short tracks amongst the anticipated load of shlock you typically encounter with production music releases. Just the sort of thing you hear in movie just before something bad happens. Have a listen below.
Pierre Chrétien's new sound library inspired Visions album by his Cinephonic project was recorded on reel-to-reel tape.
Here's the scoop...
Cinephonic's sophomore release "Visions" is a baroque funk tour-de-force - an intriguing concept album made up of ancient medieval and baroque themes, refracted through a modern prism of soul, jazz and psychedelia, all performed by a massive fourteen-piece ensemble, and meticulously captured to analogue reel-to-reel tape.
Cinephonic was founded in 2018 by multi-instrumentalist composer Pierre Chrétien, as an outlet for the new cinematic tunes he had been quietly writing when he wasn't busy leading groups such as The Souljazz Orchestra, Atlantis Jazz Ensemble and Slim Moore & the Mar-Kays.
Drawing inspiration from classic film and library music, Cinephonic expands on the sound with elements of cinematic soul, psychedelic rock, and spiritual jazz, creating a rich, evocative, and complex soundscape that juxtaposes intricate compositions with dark funk backbeats - a kind of epic soundtrack for a film that never existed.
Listen to a few tracks below. Get a copy of Cinephonic's Visions via Bandcamp right here.
Note: vintage portable Fisher Price record player shown above not included.
Personnel:
Zakari Frantz - Flute Petr Cancura - Tenor Sax Ed Lister - Trumpet Ajo Elias - Flugelhorn Mark Ferguson - Trombone Mike Schultz - Trombone Keith Hartshorn-Walton - Tuba Cendrine Despax - Violin Jean Despax - Violin Olivier Philippe-Auguste - Viola Valérie Despax - Cello Pierre Chrétien - Piano, Organ, Clavinet, Vibraphone, Guitar, Perc Thibeaux Toussaint - Bass Mike Essoudry - Drums
All songs arranged and conducted by Pierre Chrétien. Produced by Jason Jaknunas and Pierre Chrétien. Engineered and mastered to Studer B67 2-track by Jason Jaknunas. Recorded at Metropolitan Studios. Cover photograph by Claudia Soraya. Design by Pierre Chrétien.
Listen to Salvator Dragatto's new single tracks "Shook" and "Girls On The 126" off his forthcoming No. 1 EP on Cosa.
Here's the scoop...
Salvator Dragatto’s forthcoming N˚ 1 EP is an exciting addition to the growing collective of modern instrumentalists influenced by the greats in library and soundtrack music. Dragatto takes the listener through five mood heavy pieces textured with analog synths, melancholy guitars and lush string arrangements, giving an exciting glimpse into what lies ahead. The beauty of discovering something new is a timeless theme, one that Salvator conjures with his new single "Shook" b/w "Girls On The 126" for the COSA subsidiary of Colemine Records. Balancing Dragatto's signature melancholy guitars with tough drum tones, the feeling of being rattled to core is taken further with swooning horn lines and spacey synths with which he's become synonymous. White vinyl edition is limited to 750 copies out February 11. Get it directly from Colemine Records right here here.
Listen to Salvator Dragatto's "Shook" and "Girls on the 126" below.