Back in 1987, Violent Femmes drummer Victor DeLorenzo produced The Ghost Trio's off-kilter swing through the holiday classics.
Christmas with the Ghostly Trio (Dali Records, 1987)
We Wish / Three Kings / Little Town Polka / Joy / Little Drummer Dude / Good King / O Time Bomb / White X-mas / Silent Night / God Rest Ye / Leon / Angels / Jingle Bells / Hark / Silver Bells
Credits: Bass – Tim Taylor / Guitar – Geoff Worman / Producer – Victor Delorenzo / Recorded By – Dave Neitzke / Saxophone – Peter Balestrieri.
Listen to Gord Gano, Brian Ritchie and Victor DeLorenzo chat about their Violent Femmes debut from 1983 below.
THE MAKING OF VIOLENT FEMMES LP - FEAT. GORDON GANO, BRIAN RITCHIE & VICTOR DELORENZO
For the 40th anniversary of Violent Femmes’ classic debut album, we take a detailed look at how it was made. After bassist Brian Ritchie and drummer Victor DeLorenzo first started playing around Milwaukee as a rhythm section, they met a teenage songwriter named Gordon Gano. Despite having limited experience and still just being in high school, Gano had an extraordinary set of good songs that he had already written. Violent Femmes began playing as a trio but weren’t able to get many gigs in town so they started playing acoustically on the street. One day they decided to play for a line of people outside the Oriental Theater who were there to see the Pretenders. James Honeyman-Scott was on a break from soundcheck and became interested in this band playing outside the theater. He convinced the rest of the Pretenders to listen and Chrissie Hynde ended up inviting the Femmes to open for them that night. Though the impromptu gig didn’t lead to other opportunities, it gave them a boost of confidence to continue doing what they were doing. Shake Records became interested in releasing an album so they booked studio time with producer Mark Van Hecke. The label deal fell through but they decided to keep the studio time with the help of a loan from DeLorenzo’s father. The recordings they made ended up on Slash Records’ radar and they eventually released the Violent Femmes debut album as is in 1983.
In this episode, Gordon Gano reflects on being a bored and lonely teenager who had a drive to write songs as a way to get out frustration. Brian Ritchie describes his unconventional approach to the acoustic bass guitar that helps give Violent Femmes their signature sound. Victor DeLorenzo offers his perspective on using brushes, a snare drum and his invention called the trancephone in order to have a simple setup that could be moved easily and played on the street. From being booed by thousands of Milwaukeans to punk music played acoustically to embracing the improvisation of Sun Ra to the first album as a mixtape that continues to get passed between generations, we’ll hear the stories of how the record came together.
Check it out the Life Of The Record podcast right herefollowed by an early interview clip on Milwaukee at 12 and a 1983 performance of "Add It Up" shot at the Hacienda in Manchester.
Violent Femmes' Victor DeLorenzo joins David J & Darwin Meiners in Night Crickets whose debut, A Free Society is out Jan 21.
Here's the scoop...
Iconic and foundational bands in the history of alternative music certainly include Bauhaus, Love And Rockets, and Violent Femmes. San Francisco born artist Darwin Meiners was a fan of all three. A chance meeting 13 years ago with David J (Bauhaus, Love & Rockets) grew into a friendship, and Darwin not only became a bandmate, but David J’s manager. After reaching out to Victor DeLorenzo through e-mail, Darwin met the Violent Femmes drummer after the Femmes’ Coachella set in 2013. Soon after the three collaborated on Darwin’s 2014 release Souvenir.
As the pandemic took hold, Darwin was looking for a new project to occupy the lock-down time and approached Victor, who was keen to proceed and suggested that David join as well. The musical trust established between these three was immediate and Night Crickets were born. Within weeks a global process was initiated between them, the recordings eventually forming the album, A Free Society. To say this is something of a dream come true for music fans would be entirely accurate.
(The band’s name came from one of many Zoom meetings between the three members. After addressing various pressing musical issues the conversation rambled somewhat and turned to the subject of David Lynch, with David J telling an anecdote which was told to him by Lynch’s sound designer, John Neff. Lynch had asked Neff to obtain a field recording of crickets chirping at night for inclusion in Mulholland Drive. When Neff played him the tape, the director immediately recognized the sound that the insects make when it is light which is apparently a little different to their nocturnal chirp. “No! No! No! These are day crickets, John! I want my night crickets!” Victor, Darwin, and David then shared a look of mutual realization and instantly agreed that the project now had a name!)
Check out "A Free Society" and "Candlestick Park" below.
In Night Crickets’ own words:
Night Crickets, a long distance groove affair conducted during the drawn out days of lockdown and beyond. Audio files shared from Los Angeles to Milwaukee, from London to the San Francisco Bay, and the ghosts of Candlestick Park shimmer through the fog, the Devil comes a-knocking on Peter Laughner’s door and Amanda Gorman conjures forth words of inspiration for the dawn of the new millennium.
David J, Victor DeLorenzo, and Darwin spearhead a loose collective of like-minded creative souls left stranded in their respective locales due to the great pandemic, yet through sheer tenacity and a burning desire to collaborate and create they transcend the restrictions of the times and pull together a glorious ‘gesamtkunstwerk’ that draws from the past, the present and the imagined future.
Hark! Night Crickets are chirping as the world is set on fire and the sun is going down.
Get a copy of Night Crickets debut A Free Society from Omnivore right here. Watch Victor discuss the new project below.
