Dwight Trible joins Kahil El'Zabar's EHE for 'Spirit Gatherer' salute to Don Cherry

Kahil El'Zabar's "Spirit Gatherer" tribute to forward-looking trumpeter and bandleader Don Cherry is out now via Spiritmuse.

Here's the scoop...

Visionary percussionist and veteran bandleader Kahil El’Zabar leads his Ethnic Heritage Ensemble in celebration of the legendary jazz pioneer Don Cherry and releases new album Spirit Gatherer and previews the first track ‘Don Cherry’. The fifth of a series of Spiritmuse recordings that began with 2019’s Be Known: Ancient/Future Music [Spiritmuse KEZ001], Spirit Gatherer finds the three-person Ethnic Heritage Ensemble joined by two storied guest artists: Dwight Trible, vocalist with the Pan-Afrikan Peoples Arkestra, and multi-instrumentalist David Ornette Cherry, Don Cherry’s eldest son. Performed by a group of artists who intimately understand the profundity of Don Cherry’s contribution to universal musical and artistic culture, Spirit Gatherer is a powerful, spiritualised tribute to one of the giants of twentieth century music. 

Don Cherry was a true original. A pioneer of the jazz avant-garde, he first emerged as part of the Ornette Coleman group. After quickly establishing himself as a key figure in America, he eventually relocated to Europe, where he moved beyond jazz to pursue a universal spirit music. Cherry’s quest was spiritual, musical, social and political – open-hearted and profoundly humane, his life and art were dedicated to beauty and the betterment of all humanity. His music carries a crucial message for today, and Kahil El’Zabar and the Ethnic Heritage Ensemble dedicate their new album Spirit Gatherer to him, both to honour his legacy and highlight his ever-growing importance. 

‘Don Cherry is the essential, iconic, urban shaman,’ says Kahil El’Zabar. ‘After doing America the Beautiful [Spiritmuse KEZ005] and speaking to the political, social times; and then believing that there has to be resolution, that's why there was A Time for Healing [Spiritmuse KEZ007]. Then after the time for healing, you have to acknowledge the mentors that actually expressed that healing, so that we can figure out better ways to use it. And I couldn't find a better example for now than Don Cherry to amplify that. And so that's why we call him the Spirit Gatherer, which is the name of the album.’ 

A legendary figure with over fifty years experience in jazz and improvised music (including a decade as the chair of Chicago avant-garde collective the Association for the Advancement of Creative Musicians), El’Zabar brings a powerful heritage and a wealth of experience to his art, directing the songs on Spirit Gatherer with kalimba, voice, or cajon. ‘Don Cherry was griot of the community,’ he says, and this deeply spiritual and shamanic aspect of aspect of Cherry’s practice is echoed in El’Zabar’s own musical journey. ‘The whole key to the story is learn to own your voice. But first, you have to have the grace of history to inform you as you translate it into your individual idea… The was the journey of Don Cherry, and that’s a parallel in terms of my life choices – his model of eclecticism, his model of independence and individuality, his sense of style, his lyrical expressions of being: these were all things that I tried to emulate in my own character.’ 

For El’Zabar and the Ethnic Heritage Ensemble, Cherry’s message has a particular resonance in our troubled times: ‘Against the atrocities of current day, the way that we saved ourselves is that we all went to our spirit at this time, and the arts were the conduit to the opening of our health, our wellness as human beings. And so we're all feeling a vibe now. It’s not just about the aesthetics of the music – it's about the utility of service that the music brings to you. And that's why Don Cherry is resonating with the current generation, because he was true to that energy.’ 

As well as several originals by the leader, the songs selected for Spirit Gatherer draw their power from Don Cherry’s legacy, and reach out the spiritualised milieu in which he worked and lived. The music calls forth the sanctified universal folklore of Cherry’s music and refracts it through the firmly rooted Africentric modal grooves now synonymous with El’Zabar’s art. Cherry’s first great collaborator, Ornette Coleman, is represented by his deathless composition ‘Lonely Woman’; in tribute to Cherry’s favourite composer, Thelonious Monk, the band tackle ‘Well You Needn’t’ with a low-key, funked-up read; and Coltrane, with whom Cherry collaborated at various times, is evoked through a musical prayer to A Love Supreme. 

As ever, El’Zabar leads the album on multi-percussion, steering the group and setting the pace with his trademark combination of peerless rhythmic invention, melodic subtlety and grounded spiritual direction. Support from regular frontline collaborators Corey Wilkes on trumpet and Alex Harding on baritone sax builds out the sound, with Wilkes channelling the quicksilver improvising brilliance of Cherry himself while Harding embarks on deep-rooted thematic investigations. But Spirit Gatherer is lifted even higher by the presence of two illustrious guests: Dwight Trible and David Ornette Cherry. 

Don Cherry’s eldest son, the multi-instrumentalist, educator and composer David Ornette Cherry, has an intimate familial understanding of his father’s musical philosophy. He played with Don from the age of sixteen, and has collaborated with many jazz greats including Billy Higgins, Charlie Haden and Ed Blackwell. His latest album, Organic Nation Listening Club (The Continual), was released on Spiritmuse in 2021, to critical acclaim. On Spirit Gatherer, he adds spiritual warmth and energy on piano and melodica, and invokes the instantly recognisable language of his father’s music when playing douss’n’gouni, the West African hunter’s harp. 

Vocalist Dwight Trible is a key figure in Los Angeles renowned community jazz collective, the Pan Afrikan Peoples’ Arkestra. Founded by Horace Tapscott, the Ark has been the seed-bed for three generations of Los Angeles jazz musicians, and it grew out of the same Central Avenue soil that Don Cherry himself was rooted in. Trible, a vocalist who combines both operatic power with deepest blue jazz sensibility, brings electrifying presence and lyrical richness to the session. 

In this exalted company the Ethnic Heritage Ensemble’s sonic odyssey goes from strength to strength, opening up new spaces of healing in our present tribulation, new connections to the wisdom of the ancestors, and new vistas onto mended futures. We hope that you enjoy the journey of the Spirit Gatherer. 

As on previous Spiritmuse albums from El’Zabar, stunning original album artwork by multi-disciplinary artist Nep Sidhu accompanies the music. The album is presented with archive images of Don Cherry, courtesy of the Cherry Archive, Estate of Moki Cherry. 

Get a copy of the Spirit Gatherer: Tribute To Don Cherry album by Kahil El'Zabar's Ethnic Heritage Ensemble via Bandcamp right here. Check out the title track and an interpretation of Pharoah Sanders' "Harvest Time" followed by the track listing and credits. 

Kahil El'Zabar's Ethnic Heritage Ensemble – Spirit Gatherer: Tribute to Don Cherry

1. Don Cherry, composed by Kahil El’Zabar 

2. Lonely Woman, composed by Ornette Coleman * 

3. Evocation, composed by Kahil El’Zabar 

4. Degi-Degi, composed by Don Cherry * 

5. Sketches of a Love Supreme, based on the original composition by John Coltrane * 

6. Bop On, composed by Kahil El’Zabar 

7. Holy Man, composed by Kahil El’Zabar 

8. Well You Needn't, composed by Thelonious Monk * 

9. The Opening, composed by Kahil El’Zabar 

10. Harvest Time, composed by Pharoah Sanders * 

11. Spirit Gatherer, composed by Kahil El’Zabar 

Kahil El’Zabar – multi-percussion / balafon / kalimba / voice 

Corey Wilkes – trumpet/ spirit bowls/ percussion 

Alex Harding – baritone sax 

Dwight Trible – voice 

David Ornette Cherry – piano / melodica / douss’n gouni 

Except Tracks 3, 8 & 9, with the Ethnic Heritage Ensemble only 

Kahil El’Zabar – multi-percussion / balafon / kalimba / voice 

Corey Wilkes – trumpet/ spirit bowls/ percussion 

Alex Harding – baritone sax

Abdullah Sami's rare spiritual jazz gem Peace of Time being reissued

Evidently, just 300 copies of Abdullah Sami's Peace of Time album were released in 1978. The Spiritmuse reissue is due out April 12th. 

Here's the scoop...
In recent years, in the world of esoteric, deep, spiritual jazz, the phrase 'holy grail' has often been over-used and applied to a myriad of jazz re-issues irrespective of merit. Once in a while though the phrase is truly justified and the first time re-issue of Abdullah Sami's Peace Of Time album really does live up to any hyperbole one could throw around. Recorded in New York in August 1977 and released in 1978 on Sami's own label imprint, only 300 copies were ever pressed, each cover individually hand-made with different covers photocopied and pasted onto different coloured paper while some copies were adorned with Sami's own hand-drawn art (in much the same way as some of the rarest albums by Sun Ra). Forty years later, such a fabled, rarely seen artefact would garner mythical status amongst spiritual Jazz seekers with original copies selling online for four figures. But first, behind every myth and legend, there's a true story, or in this case two stories...

Abdullah Sami's father, William Frank Slaughter, the composer of ‘Afrikan Samba’ and an accomplished saxophonist in his own right, was a great stimulus in his child's musical development, teaching him music theory and nurturing his creative approach to music since childhood. Called ‘Mudon’ by those closest to him, Abdullah Sami would go on to be part of Chicago's rich, musical tapestry, a city imbued with the urban blues of Muddy Waters and Howlin' Wolf, the soul of Curtis Mayfield and Donny Hathaway, home to influential record labels Chess and Delmark and the legendary Jazz artists co-operative the AACM (Association for the Advancement of Creative Musicians). Sami built a steady reputation in Chicago’s underground jazz and art loft scene, often performing with percussionist Yaounde Olu and bassist Imhotep Askia Ba at the former's own artist gallery Osun on Chicago's South Side, as well as other venues such as the Institute of Positive Education and Aziza Artist Space. In this period he would formulate his own multi-directional saxophone approach, his alto horn shifting modal frequencies in free flight, fluid and hypnotic, playing and teasing with harmony and melodics. Recognition in the Windy City remained elusive however and seeking wider exposure and better playing opportunities Sami headed east to New York where the recording "Peace Of Time" would come to fruition. It would remain perhaps the only documentation of Sami's creative talent, New York and the jazz scene ultimately proving to be as unforgiving as Chicago, to where he would return, but at least Chicago was home. The daily reality of life would take over, Sami worked as a painter and decorator, provided for his family and retreated from the music scene that nurtured him...

Fast forward forty years to Japan where two enthusiasts from London - DJs, label bosses, radio show hosts, and vinyl diggers - stumble across a record without a sleeve. Intrigued, they ask to listen to it. Immediately they identify it as 'their' vibe, in 'their' spirit. They ask questions. Who is the artist? Where are they from? Did they release anything else? There's no sleeve, just a label. They are informed that nobody knows of anything else by this artist, or what happened to him/them. People have tried for years, they are told, tried to find the artist, tried to locate the label, tried to bring it to the attention of those who love and care for great music. They return to London enthused with missionary zeal to locate the source of this beauty. Phone calls are made, e-mails are sent, they speak to someone who knows someone who maybe knows someone else who...well, more than a year later, it is the spirit muse that finds the artist. He's still in Chicago, working, residing, living, unaware of his only album's legendary status, but he's flattered and thrilled that the team of two, guided by the spirit muse, had found him. Of course they can re-issue his masterpiece! Delighted by his approval, they tell him it's going to be re-mastered and re-issued on audiophile deluxe vinyl with liner notes and new artwork on the insert. Reciprocating their passion, and renewed with artistic vigour, he proclaims he might even "play the horn again!". The circle is complete. Listen to "Aretia" below.

Pre-order a copy of Abduallah Sami's Peace of Time right here.