Showing posts with label Rail Band. Show all posts
Showing posts with label Rail Band. Show all posts

Wednesday, December 4, 2024

Second volume of Original Sound Of Mali comp due in February

The highly anticipated Original Sound Of Mali 2 collection is due from Mr. Bongo on February 7th – here's a preview along with a few tracks. 

Here's the scoop...

Building on the success of ‘The Original Sound of Mali’ compilation from 2021, Mr. Bongo is releasing another deep dive into the wonders of Malian music compiled by French writer, journalist and Grammy-nominated compiler Florent Mazzoleni and Mr Bongo’s very own David Buttle. Restoring, reissuing and contextualizing iconic tracks from Ousmane Kouyaté & Ambassadeurs Internationaux, Rail Band, Les Messagers du Mali, Mystère Jazz de Tombouctou and many more, the second compilation in this series dives ever further into the richness of post-independence music emanating out of Mali. One in which traditional foundations and instrumentation, blended with modern musical advances and influence. 

Following Mali’s independence, after ten years of maturation, the 1970s saw modern Malian culture revealed to the world through musical anthologies and overviews of national and regional productions. It was a remarkably fertile period of the country’s musical history, with state-sponsored bands and orchestras now able to be documented and recorded by sound engineers. 

Mali has always had a diverse storytelling tradition through music, with each province and ethnic group having its own unique character and nuances. As influences and sounds from the West drifted over the Atlantic, Malian musicians began hearing artists like John Lee Hooker, Wilson Pickett, Johnny Pacheco, Celia Cruz and James Brown. Elements and ideas from blues, soul, rock and funk led to bands covering artists they’d heard from these genres. The Tjiwara Band de Kati’s raw cover version of Pickett’s soul / R&B classic ‘In The Midnight Hour’ and the James Brown funk-channelling cut ‘Get Up James’ from Les Ambassadeurs du Motel de Bamako, are two such examples featured on this compilation. 

Most bands also relied on playing in hotels in Mali’s capital, Bamako, which naturally became where they honed their sound. With guests wanting to hear the influence of foreign styles and modern instrumentation becoming more available, this fusion of Western ideas with traditional Malian rhythms and organic instruments led to a one-of-a-kind musical excellence. 

The second volume in this series, captures the raw energy of Mali in this period, with a spread of sounds that radiated from Mali’s newly recorded musicians. The afrobeat rhythms of Ousmane Kouyaté and mesmerizing Malian classic from Bouba & Sokona Sacko, sitting side by side with the swirling hypnotism of Tentemba Jazz du Mali and a ngoni-infused, percussive dancer from Allata Broulaye. Elsewhere, the deep African desert music of Mystère Jazz de Tombouctou rubs shoulders with the grandeur of the Rail Band, powered by Salif Keita’s iconic vocals. 

Those are just a handful of the recordings highlighted on this compilation, which includes an extensive booklet looking at the history and relevance of the tracks written by Florent Mazzoleni. With so much enchanting, deep and mind-expanding music coming out of Mali in this period, ‘The Original Sound of Mali 2’ is a perfect aid to discovering the richness of music this country has to offer. 

You can pre-order a copy of Mr. Bongo's forthcoming collection The Original Sound of Mali 2 from your platform of choice right here. Check out Ousmane Kouyate's "Kefimba," Les Ambassadeurs du Motel de Bamako's "Get Up James" and Tentemba Jazz du Mali's "Yayoroba" following the tracklisting below.


 

The Original Sound of Mali 2

A1. Ousmane Kouyaté & Ambassadeurs Internationaux - Kefimba

A2. Bouba et Sokona Sacko - Mamaniya

A3. Les Ambassadeurs du Motel de Bamako - Get Up James

B1. Allata Broulaye - Moussokéléyato

B2. Tentemba Jazz du Mali - Yayoroba

B3. Tjiwara Band de Kati — Kogola

C1. Rail Band - Massaré Mousso

C2. Les Ambassadeurs du Motel de Bamako - Matou Kagni

C3. Mystère Jazz de Tombouctou - Sidi Yahia

D1. Allata Broulaye - Yayoroba

D2. Les Messagers du Mali - Diamana Diarra

D3. Tjiwara Band de Kati - Midnight Hour





Friday, February 10, 2012

The Top 100 Reissues of 2011


1. Batsumi - Batsumi (Matsuli Music)
2. Those Shocking Shaking Days: Indonesian Hard, Psychedelic, Progressive Rock, 1970-78 (Now Again)
3. Follow Me Down: Vanguard’s Lost Psychedelic Era, 1966-1970 (Vanguard)
4. Rail Band - Buffet Hotel De La Gare (Superfly)
5. True Soul: Deep Sounds From The Land of Stax Volume 1, Volume 2 (Now Again)
6. Takeshi Terauchi - Nippon Guitars: Instrumental Surf, Eleki & Tsugaru Rock 1966-1974 (Big Beat)
7. T.K. Ramamoorthy - Fabulous Notes & Beats of the Indian Carnatic Jazz (EM Records)
8. Jef Gilson - The Best of Jef Gilson (Jazzman)
9. Svenska Löd Ab! - Svenska Löd Ab! [aka Hörselmat] (Figaro Music & Media Group)
10. Sun Ra - The Eternal Myth Revealed, Vol. 1 (Transparency)
11. Psychedelic Pernambuco (Mr. Bongo)
12. Darondo - Listen To My Song: The Music City Sessions (Omnivore)
13. AKA - Hard Beat (Strawberry Rain)
14. Stone Coal White - Stone Coal White (Cali-Tex)
15. Calexico - Road Atlas, 1998-2011 (Our Soil, Our Strength/Quarterstick)
16. Turkish Freakout 2: Psych Folk: 1970-78 (Bouzouki Joe)
17. L'Orchestre Kanaga De Mopti - L'Orchestre Kanaga De Mopti (Kindred Spirits)
18. The Hidden Tapes: A Compilation of Minimal Wave from Around the World ‘79-‘85 (Minimal Wave)
19. Kourosh Yaghmaei – Back From The Brink: Pre-Revolution Psychedelic Rock From Iran, 1973-1979 (Now Again)
20. Jukebox Jam – Blues and Rhythm Revue (Jazzman)
21. Kelenkye Band - Moving World (Superfly)
22. This May Be My Last Time Singing: Raw African-American Gospel on 45RPM, 1957-1982 (Tompkins Square)
23. Paul Ngozi - The Ghetto (Shadoks)
24. Cartagena! Curro Fuentes & The Big Band Cumbia And Descarga Sound Of Colombia, 1962-72 (Soundway)
25. Tino Contreras - El Jazz Mexicano De Tino Contreras (Jazzman)
26. Rev. Charlie Jackson - You Got to Move: Live Recordings, Vol. 1 (50 Miles Of Elbow Room)
27. Boddie Recording Company: Cleveland, Ohio (Numero Group)
28. Orchestre Poly-Rythmo De Cotonou Dahomey - The First Album, 1973 (Analog Africa)
29. Bobby Hamilton Quintet Unlimited - Dream Queen (Superfly)
30. Michigan Meltdown: Post-Garage Pandemonium and Pre-Punk Fuzz Freaks From The Mitten State's Miliken Era (Coney Dog)
31. Beautiful Rivers And Mountains: The Psychedelic Rock Sound Of South Korea's Shin Joong Hyun (Light In The Attic)
32. The Outsiders - CQ Mythology (Pseudonym)
33. Ongaku 70: Vintage Psychedelia in Japan (Hiruko)
34. Ebo Taylor - Life Stories (Strut)
35. Super Funk's Mission Impossible: Hard To Find & Unreleased Funk Masters (BGP)
37. Lloyd McNeill Quartet - Washington Suite (Soul Jazz)
38. Googoosh - Googoosh (Finders Keepers)
39. Sorry Bamba - Volume One 1970-1979 (Thrill Jockey)
40. Ongaku 80: Alternative Waves From Japan (Hiruko)
41. Mellow Candle - Swaddling Songs PLUS... (Rise Above Relics)
42. Les Goths - Rêve de Silence (Shadoks)
43. Peter Herbolzheimer – Soul Puppets: Unreleased Jazz Funk Library 1970-75 (Sonorama)
44. Bobby Charles - Bobby Charles (Rhino Handmade)
45. Orchestre Rail-Band De Bamako - Orchestre Rail-Band De Bamako (Mississippi)
46. Mickey Newbury - An American Trilogy (Drag City)
47. Battle of Rat Fink Hill: Crude Unissued Pittsburgh Instrumentals, 1961-63 (Norton)
48. Marijata - This Is Marijata (Academy LPs)
49. Istanbul 70: Psych, Disco, Folk Classics (nublu)
50. Soul Safari Presents Township Jive and Kwela Jazz, 1940-60 (Ubuntu Publishing)
51. Bambara Mystic Soul: The Raw Sound of Burkina Faso 1974-1979 (Analog Africa)
52. Mahmoud Ahmed – Jeguol Naw Betwa (Mississippi)
53. Jean-Claude Vannier - Electro Rapide (Finders Keepers)
54. John Fahey - The Past Comes Back To Haunt You: The Fonotone Years 1958-1965 (Dust To Digital)
55. Willie Wright - Telling The Truth (Numero Group)
56. These Trails - These Trails (Drag City)
57. Daphne Oram - The Oram Tapes: Volume One (Young Americans)
58. Vis-A-Vis - Obi Agye Me Dofo (Secret Stash)
59. Van Dyke Parks - Arrangements, Vol. 1 (Bananastan)
60. El Rego et Ses Commandos - El Rego (Daptone)
61. François de Roubaix - Courts Métrages (Wémè)
62. Gétatchèw Mèkurya – Ethiopian Urban Modern Music Vol. 5 (L'Arôme Productions)
63. K. Frimpong & His Cubano Fiestas – K. Frimpong & His Cubano Fiestas (Secret Stash)
64. Bollywood Bloodbath (Finders Keepers)
65. The Original Sound Of Cumbia: The History of Colombian Cumbia & Porro, 1948-79 (Soundway)
66. ¡Gózalo! Bugalú Tropical, Vol.4 (Vampi Soul)
67. Mississippi Fred McDowell - Amazing Grace (Sutro Park)
68. Ame Son - Primitive Expression (Wah Wah)
69. Brand New Wayo: Funk, Fast Times & Nigerian Boogie Badness 1979-83 (Comb & Razor Sound)
70. Erkin Koray - Meçhul: Singles & Rarities (Sublime Frequencies)
71. Opika Pende: Africa at 78 rpm (Dust To Digital)
72. Persian Funk (Secret Stash)
73. Nigeria 70 – Sweet Times: Afro-Funk, Highlife & Juju From 1970s Lagos (Strut)
74. The Fame Studios Story, 1961-73 (Kent)
75. Hans Kennel & Bruno Spoerri - Dusty Vibes: Unreleased Swiss Radio Jazz 1963-67 (Sonorama)
76. Kool & Together - Original Recordings 1970-77 (Heavy Light)
77. Peter Thomas Sound Orchestra - Orion 2000 (Omni)
78.Heikki Sarmanto Big Band – Everything Is It (Porter)
79. Junior Kimbrough - Do The Rump (Sutro Park)
80. Our Lives Are Shaped By What We Love: Motown's Mowest Story, 1971-1973 (Light In The Attic) 
81. "Blackman" Akeeb Kareem - Tomorrow (Hot Casa)
82. Raphaël - Stop, Look, Listen (Heavenly Sweetness)
83. Fred McDowell - The Alan Lomax Recordings (Mississippi)
84. Aqui Los Bravos! The Best of Michi Sarmiento y su Combo Bravo 1967-77 (Soundway)
85. Nouvelle Vague: Musiques Et Chansons De Films (Universal)
86. John Berberian - Expressions East (Mainstream)
87. Rob - Funky Rob Way (Analog Africa)
88. Sohail Rana - Khyber Mail (Finders Keepers)
89. Frankie Zhivago Young - The Age Of Flying High (Superfly)
90. Jim Ford - Demolition Expert (Bear Family)
91. La Sonora Ponceña – A Band And Their Music (Fania)
92. Lucho Bermudez Y Su Orchestra - Lucho Bermudez Y Su Orchestra (Soundway)
93. Ali Farka Touré - Ni Foli: Music From A Cassettte (Social Music)
94. Blind Willie McTell - Trying To Get Home (Sutro Park)
95. George Danquah - Hot & Jumpy (Secret Stash)
96. Nicola Conte Presents Viagem 3 (Far Out)
97. RL Burnside & Sound Machine - Sound Machine Groove (Sutro Park)
98. The Contours - Dance With The Contours (Kent)
99. Janko Nilovic - Funky Tramway (Vadim)
100. Charles "Packy" Axton - Late Late Party, 1965-67 (Light In The Attic)

Honourable Mention

Ali Farka Touré - Manakoidé EP (World Circuit), Cyril Diaz & His Orchestra - Voodoo EP (Soundway), Theo Parrish - uget (Sound Signature), Sun Ra - Space Probe (Art Yard), The Louvin Brothers - Handpicked Songs 1955-1962 (Light In The Attic), Faith - Subject To Change plus First Demo (Dischord), Vesa-Matti Loiri - 4+20 (Porter), Freddy Cole - The Cole Nobody Knows (First Shot/Sonorama), Virgo Four - Resurrection (Rush Hour), Genius/GZA - Liquid Swords (Get On Down), Lijadu Sisters - Danger (Knitting Factory), Marion Brown - Geechee Recollections / Sweet Earth Flying (Impulse!), Ol' Dirty Bastard - Return To The 36 Chambers (Get On Down), New World Generation - NWG (Now Again), MF Doom - Operation: Doomsday [Lunchbox Edition] (Metal Face), Satwa - Satwa (Mr. Bongo). Shattered Dreams: Funky Blues 1967-78 (Ace)

Friday, June 11, 2010

Bassekou Kouyate and Tony Allen at Queen's Park... for free!


Since Sunjata Keita founded the Malian empire back in 1235 and declared that the ngoni would be the only instrument played in his court, there haven't been that many real innovations with the way the lute-like ancestor of the banjo is played in West Africa. That is, until Bassekou Kouyate came along and re-wrote the ngoni rule book.
Although the legendary Malian djéli Bazoumana Sissoko (1890-1987) from Segou – who composed what became the fledging Republic of Mali's national anthem in 1962 – is generally considered to be the greatest ngoni maestro that ever lived, he still plucked away in a soulfully slow style while seated just as his forebears had done. And over the course of seven centuries, the kora and more recently, the guitar have both eclipsed the ngoni as the axe of choice for aspiring young West African musicians relegating the ngoni to the background.
That all changed one night in the mid-80s when Kouyate, then gigging with the Rail Band,  finally got fed up with the group's guitarists enjoying all the female attention up front at Bamako's train station hot spot Buffet de la Gare. So he jury rigged a strap for his ngoni and moved into the spotlight and he's never looked back.
Kouyate, born into Mali's griot caste in the small village of Garana on the banks of the Niger River, was schooled in the cultural traditions of playing the four-stringed ngoni from age 12 by his father Moustafa Koyate. As his proficiency grew, the young Kouyate started experimenting with adding more strings to the consternation of his dad who bristled at the blasphemous concept.
Once the teenage Kouyete moved to Bamako however, his forward-looking approach to the ancient instrument earned him the respect of Mali's next generation of superstars, namely kora king Toumani "Too Much Money" Diabaté and guitar slinger Ali Farka Toure. It was actually Koyate's breakout appearance on the late great Toure's final studio album, 2006's Savane (World CIrcuit) that led to the recording of Bassekou Kouyate & Ngoni Ba's critically acclaimed 2007 debut Segu Blue (Out Here) which won the praise of everyone from Damon Albarn and Fatboy Slim to highly influential broadcaster Charlie Gillett.
Suddenly Bassekou Kouyate  was being hyped as "the Jimi Hendrix of ngoni" and soon Ry Cooder, Taj Mahal and Bono were ringing him for studio collaborations while other fan club members such as banjo boy Béla Fleck and Bill Frisell have been seen trying to jump on stage with Kouyate at every opportunity.
After even more effusive plaudits were heaped upon Kouyate's follow up release I Speak Fula, the once mighty mid-level indie label Sub Pop, which never before showed the slightest interest in anything remotely African sounding, jumped on the Ngoni Ba bandwagon by forming a world music subsidiary called Next Ambiance to issue I Speak Fula for the North American market.
While rhe Segu Blue album, produced by Lucy Duran with a low-key field recording vibe, focused more on Kouyate's traditional side, the super-charged I Speak Fula no longer denies the American influences – it revels in them. The album has clearly been designed to suit the tastes of the global roots music buyers as well as those of the Bonnaroo generation which might be a turn off for those wishing to hear the simple beauty of the ngoni but the amped up developments were inevitable. Considering Kouyate chose to call his band Ngoni Ba – which means "Big Ngoni" – rocking sports stadiums and open fields filled with muddied hordes was probably always part of the plan. And now he's living the dream.
You can see Bassekou Kouyate & Ngoni Ba on stage with the mildly annoying Béla Fleck as part of the Luminato Festival's free performance program (astutely assembled by Derek Andrews) at Queen's Park in Toronto on Saturday (June 12) from 1 pm until 11 pm. Also be sure to check out the kick-ass Rachid Taha at 4 pm, Mr. Something Something at 6:30 pm and don't dare miss Fela Kuti's Afrobeat engine Tony Allen at 7:30 pm with Bassekou Kouyate & Ngoni Ba closing the show starting at 9 pm. Once again, it's all FREE!

Rock the Casbah
1:00 pm - Lo'Jo (France)
2:00 pm - Maryem Tollar Ensemble
3:00 pm - Karim Saada (Monteal)
4:00 pm - Rachid Taha (Algeria)

An African Prom
6:30 pm - Mr. Something Something (Toronto)
7:30 pm - Tony Allen (Nigeria)
9:00 pm - Bassekou Kouyate & Ngoni Ba (Mali) with Bela Fleck's Africa Project (USA) 


Ngoni Fola by Bassekou Kouyate


LINKS
Bassekou Kouyate myspace http://www.myspace.com/bassekoukouyate
Luminato Festival 2010 http://www.luminato.com/2010/
Out Here Records http://www.outhere.de/
Sub Pop http://www.subpop.com/