R.I.P. outsider singer/songwriter Michael Hurley, 1941-2025

Saddly, outsider singer/songwriter  Michael Hurley has passed away at the age of 83. He'll be greatly missed. 

Midweek Mixdown: Steve Gunn's Folkways selection

Listen to a selection of Steve Gunn's favourite recordings from the Folkways archive right here. Tracklist below.  

Tracklist...

THE ENTOURAGE MUSIC & THEATRE ENSEMBLE 

Euphoric Bells

KIM LOY WONG, THE UNIVERSITY SETTLEMENT STEEL BAND 

Piano Concerto

GANDRUNG BULO (BAMBOO DRUMS)

Celebes

MICHAEL HURLEY

Blue Mountain

ANN MCMILLIAN

Part 1 Whale

THE ENTOURAGE MUSIC & THEATRE ENSEMBLE 

Piece For E-Flat Soprano Saxophone, Guitar, And Thumb Piano

GAMELAN SON OF LION

DNA

USSACHEVSKY 

Sonic Contours

PEDRO ROCHA Y LUPE MARTINEZ

Jesusita

ROBERT PETE WILLIAMS 

So Much Is Happenin' In This Wicked World

GRUPO QUISQUEYA 

Pobre Gaviota

JOSEPH SPENCE 

Jump In The Line

AZTEC VIOLINIST, GUITARIST, RITUAL SPECIALISTS, YOUNG GIRLS, DANCERS

Dance Of The Tlamatiketl

HWANA

Metal Pluriarc With One Woman's Voice

BAMBOUSHAY STEEL BAND

Kingston Town

TONY KU 

Aloha Oe

BANDA TÍPICA DE MAZATLÁN 

La India Bonita

PALOMA BLANCA

Unspecified

JON APPLETON 

Hommage To Orpheus (1969)

Michael Hurley's Living Ljubljana LP out now!

In March 1995, soon after the German Veracity label issued Wolfways, and just before they did Parsnips Snips (Hurley’s first vinyl after an nine year drought), the Great Snock undertook his first European tour. Joined by bassist Robert Michener (from the Richmond scene Hurley’d been involved in) and percussionist Mickey Bones (legendary Boston drummer & bones player), Hurley hit a bunch of places and Germany and also KLUB K4 in Ljulljana Slovenia, where this set was recorded.

The sound is beautiful, the band plays with lazy perfection, and Hurley’s vocals are energetically melodic. He does some songs that were only released on the series of cassettes that immediately preceded Wolfways (“Horse’s Ass,” “The Beggar’s Terms”), stuff from Wolfways (“Letter in Neon,” “Portland Water,” “I Paint a Design”), classics like “O My Stars,” a few cover tunes. And More!

Packed up in a new Hurley art cover design (based on the Euro tour t-shirt), with great liner notes detailing the rigors of a German press junket from right before the tour-proper, this package is sure to please discerning Snockophiles of all stripes. It’s a fantastic spin. Dig in today. – Byron Coley, 2018

You can order a vinyl copy of Michael Hurley's Living Ljubljana album via Forced Exposure right here. Check out the clip of Michael Hurley performing "O My Stars" with My Bubba in 2016 and "Portland Water" at the Oregon Country Fair that same year below.

Joan Shelley's new album out May 5

Be sure to arrive at Massey Hall before Wilco appears to see Louisville's delightful Joan Shelley preview her new album.  

The new self-titled album from the Kentucky singer, songwriter, and guitarist Joan Shelley began, with the sound of a fiddle. In the summer of 2014, Shelley fell for the tune “Hog of the Forsaken,” a bowed rollick near the end of Michael Hurley’s wayward 1976 folk gem, Long Journey (Rounder). Hurley’s voice, it seemed to Shelley, clung to the fiddle's melody, dipping where it dipped and climbing where it climbed.

This was a small, significant revelation, prompting the guitarist to trade temporarily six strings for four and, as she puts it, “try to play like Michael.” That is, she wanted to sing what she played, to play what she sang. She tried it, for a spell, with the fiddle. “Turns out, I wasn’t very good at fiddle,” remembers Shelley, chuckling. “But I took that idea back to the guitar and tried that same method. I did it as a game to make these songs, a way to find another access point.” But that wasn’t the end of the trials.

After collaborating and touring with ace guitarist Nathan Salsburg for so many years, Shelley decided to put her entire guitar approach to the test, too. Each day, she would twist and turn into a different tuning, letting her fingers fumble along the strings until the start of a tune began to emerge. After playing the songs of her critically acclaimed third album, Over and Even, so many nights during so many shows, the trick pushed her hands out of her habits and into a short, productive span that yielded most of Joan Shelley. It’s fitting that the new recording is self-titled. These are, after all, Shelley’s most assured and complete thoughts to date.

Joan Shelley's s/t album is out May 5th on No Quarter. Get it here. 

In eleven songs, this is the sound of Joan Shelley emerging. To get there, she had a little more help than usual. In December 2016, she headed a few hours north to Chicago, where she and Salsburg joined Jeff Tweedy in Wilco’s studio aka The Loft for five days. Spencer Tweedy sat in on drums, while James Elkington shifted between piano and resonator guitar. Jeff added electric accents and some bass, but mostly, he helped the band stay out of its own way. “He was protecting the songs. He was stopping us before we went too far.” she says.

The Loft proved essential for that approach, as it was wired to capture every musical moment, so no take was lost. If, for instance, some magic happened while Spencer Tweedy added drums to a tune he’d never heard, or while Elkington tinkered behind a piano, the tape was rolling. Half of these songs are first takes. “The first time is always the best. That’s when everyone’s on the edge of their seats, listening to not mess it up,” Shelley says. “They’re depending on each other to get through it.”

Shelley’s music has never been experimental, at least in some bleeding-edge sense of the word. And she’s comfortable with that, proud of the fact that her simple songs are attempts to express complex emotion and address difficult question about life, love, lust, and existence itself. During “The Push and Pull,” for instance, she precisely captures the emotional tug of war as two people struggle to codify a relationship, her voice perking up and slinking down to illustrate the idea.

For “Go Wild,” she wrestles with principles of independence and dependence, forgiveness and freedom, her tone luxuriating inside the waltz as though this were a permanent state of being. These are classic ideas, rendered brilliantly anew. But in their own personal way, these songs are experimental and risky, built with methods that pushed Shelley out of the comfort zone she’s established on a string of records defined by a mesmerizing sort of grace and clarity. The shifts are not so much major as they are marked, suggestive of the same curiosity and rumination that you find in the pastoral pining of “If the Storms Never Came” or the subtle romance of “Even Though.”

From genesis through gestation and on to execution, these songs document transitions to destinations unknown. “I don’t have a concept, and I don’t know the meaning until much later. Whatever I am soaking up or absorbing from the world, there will be songs that reflect all those thoughts,” Shelley says. “I keep my songwriting alive and sustainable by trying to be honest about how it came out—these are all its jagged edges, and that’s what it is to be human.” Watch a couple of Joan's recent performances followed by a list of upcoming tour dates.




Joan Shelley on Tour

Mar 18 – Beacon Theater – New York, NY #
Mar 19 – Beacon Theater – New York, NY #
Mar 22 – Lincoln Center – New York, NY %
Mar 23-26 – Big Ears Festival – Knoxville, TN
Apr 4 – Bijou Theatre – Knoxville, TN  !
Apr 7 – Memorial Hall – Cincinnati, OH  !
Apr 9 – Old Town School of Folk Music – Chicago, IL !
Apr 10 – Old Town School of Folk Music – Chicago, IL !
Apr 12 – Kent Stage – Kent, OH !
Apr 13 – Strand-Capitol Performing Arts – York, PA !
Apr 14 – Tarrytown Music Hall – Tarrytown, NY !
Apr 16 – The Colonial Theatre – Bethlehem, PA !
Apr 18 – Sanders Theatre – Cambridge, MA !
Apr 19 – Landmark – Port Washington, NY !
Apr 27 – Debarras – Clonakilty, IE
Apr 28 – Kilkenny Roots Festival – Kilkenny, IE
Apr 29 – Kilkenny Roots Festival – Kilkenny, IE
Apr 30 – Cathedral Quarter Arts Festival – Belfast, UK
May 3 – The Greyhound – Kilkee, IE
May 4 – Whelan’s Upstairs – Dublin, IE
May 5 – The Glad Café – Glasgow, UK
May 6 – The Eagle Inn – Manchester, UK
May 7 – The Wardrobe – Bristol, UK
May 8 – The Lexington – London, UK
May 31 – The Bishop – Bloomington, IN *
June 1 – Colectivo – Milwaukee, WI *
June 2 – Bryant Lake Bowl – Minneapolis, MN *
June 3 – Old Town School of Folk Music – Chicago, IL *
June 4 – CSPH Hall – Cedar Rapids, IA *
June 6 – Vaudeville Mews – Des Moines, IA *
June 7 – Knuckleheads – Kansas City, MO *
June 8 – KDHX Stage – St. Louis, MO *
June 9 – Maiden Alley Cinema – Paducah, KY *
June 10 – Headliners – Louisville, KY *
June 11 – The Basement – Nashville, TN *
June 13 – Eddies Attic – Decatur, GA *
June 14 – Cat’s Cradle Backroom – Carrboro, NC *
June 15 – Jammin’ Java – Vienna, VA *
June 16 – Concerts in the Studio – Freehold, NJ *
June 17 – Brighton Music Hall – Boston, MA *
June 18 – Parlor Room – Northampton, MA *
June 20 – Boot & Saddle – Philadelphia, PA *
June 23-24 – Solid Sound Festival – North Adams, MA
# – w/ Wilco
% – as part of the American Songbook series
! – w/ Richard Thompson
* – w/ Jake Xerxes Fussell