Vinyl Me, Please releasing The Story Of Zamrock! anthology

This new compendium of psych rarities from Northern Zambia is an 8 LP set curated by Egon & Jason Connoy supported with a 4-part podcast series.

Here's the scoop...
VMP Anthology: The Story of Zamrock! highlights and celebrates one of the most intriguing and complete music scenes to arise in the latter half of the 20th century. Featuring 8 albums, 7 of which have never been reissued in their original form, The Story of Zamrock reflects a decade long journey that Eothan "Egon" Alapatt of Now-Again Records and Jason "MoSS" Connoy of Strawberry Rain Records have taken, delving into the Zamrock scene, finding the last musicians left standing, researching, documenting and legitimately reissuing the uber-rare albums originally released in Zambia’s cities in the 1970s. Get a copy right here. Check the promotional clip below.


Vinyl Me, Please: The Story Of Zamrock
WITCH – Introduction (Original Private Press Version)
5 Revolutions – Free Man
Amanaz – Africa
Ricky Banda – Niwanji Walwa
Ngozi Family – 45,000 Volts
Oscillations – I Can See It Coming
Fire Balls – Unreleased
Cross Bones – Wise Man

Host Mike D selected some rare Chardonnay to accompany his Echo Chamber chat with Egon & Madlib about hard-to-find recordings from Zambia.

Long overdue debut album from Toronto production ace MoSS due November 13

Outside of his Toronto hometown, MoSS may be a new name to some in the hip hop game, but if you've heard Ghostface Killah's "Kilos" off Fishscale, Raekwon's "Have Mercy" from Only Built 4 Cuban Linx... Pt. II or Obie Trice's Special Reserve album, you'll know his production work.  Jason "MoSS" Connoy has been hard at work making others sound good for awhile now so he's overdue for a recording under his own handle. That album, Marching To The Sound Of My Own Drum, is now set for release on his own Moss Appeal Music label November 13 and features guest spots from Havoc (of Mobb Deep), Sean Price, Ill Bill, ONYX, AZ, Guilty Simpson, Inspectah Deck, Joe Budden & Joell Ortiz (of Slaughterhouse) and DJ Premier. Check out the track Boombastic w/ Slum Village below.



Initially breaking into the hip hop world with Obie Trice back in 2000, MoSS produced Obie's indie singles "Well Known" and "Mr. Trice" which eventually led to Obie's deal with Shady. Since then, MoSS has notably added a prog rock whump to tracks for Bounty Killa, M.O.P., Kool G. Rap, Ras Kass, Papoose, Boot Camp Clik, Big Shug etc.

Apart from the production skills which impressed DJ Premier enough to sign MoSS to his Works of Mart operation, he's also a serious record hound with a taste for esoteric psychedelia from far away lands. With assistance from his Toronto digger/dealer pal Gholam, MoSS reissued an Iranian psych curio from Tehran's The Jokers on the Fading Sunshine label around the same time that Now Again put out MoSS's excellent Southeast Asian 70s psych survey Those Shocking Shaking Days: Indonesian Hard, Psychedelic, Progressive Rock and Funk: 1970-1978.

The success of that massive project led to the formation of his own Strawberry Rain imprint to continue recirculating mind-melting psych oddities by such artists as AKA, Rictus, Blind Owl, Salty Dog, Benny Soebardja, ฅาราวาน, Leong Lau, Mar-Vista, Kelompok Kampungan, Survival, Keith Mlevhu and Abbhama with apparently more on the way. In the OnSMASH interview clips below shot circa 2009, MoSS talks about constantly growing vinyl stockpile and mentions that his debut album is "half finished" which suggests that Marching To The Sound Of My Own Drum has been in the works for at least six years.