Celebrating Albert Heath's 86th birthday with his Kawaida album with Don Cherry, Herbie Hancock, Buster Williams & Mtume. |
Monday, May 31, 2021
Happy Birthday Albert 'Tootie' Heath!
That time Larry Coryell threw down with Alphonse Mouzon in Oslo
Watch guitarist Larry Coryell's Eleventh House band filmed in action for Norwegian television back in 1975. |
Sunday, May 30, 2021
Watch Roxy Music's early television performances
Happy Birthday Darrell Grant!
Celebrating the birthday of jazz pianist Darrell Grant with "Rivers" & "New Land" from The Territory followed by The Cool Spot. |
B-Side Wins Again: Don Ellis aka Harold Shutters
That time the Demolition Doll Rods played Schubas
Saturday, May 29, 2021
Happy Birthday Irmin Schmidt!
Celebrating the birthday of Can's Irmin Schmidt with a 1975 Whistle Test appearance, Stuttgart show and a recent interview. |
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Watch a solo concert by The Walkabouts' Chris Eckman
Chris Eckman's performance was filmed at Ljubljana's Vodnikova domačija. His new album Where The Spirit Rests is out June 4th. |
Friday, May 28, 2021
Happy Birthday Gary Stewart
R.I.P. guitarist Tommy Connell
Sadly, Phoenix guitarist Tommy Connell – featured on Jon Rauhouse's albums for Bloodshot – has passed away. |
The three albums Tommy Connell recorded with Jon Rauhouse for Bloodshot Records are available right here. |
Sporty yeti stars in new El Michels Affair video for "Murkit Gem"
Thursday, May 27, 2021
R.I.P. Toronto-based flautist/singer Kathryn Moses
Sadly, Toronto's Kathryn Moses of "Music In My Heart" & "Ready Or Not" fame has passed away. She'll be greatly missed. |
Kathryn's song "Ready Or Not" is the title track of my compilation of 60s-70s jazz from CBC which you can get right here. |
James Kelly Duhon's modern soul gems on Jude get reissued by Tramp
Tramp is recirculating a pair of James Duhon's post-Ascots recordings "So Far Down" b/w "So Trusting" from the late 70s. |
Here's the scoop...
James Kelly Duhon was a native of Beaumont, Texas, a city about 20 miles from Port Arthur, Texas. In the late 1960s, he was in a Port Arthur group The Ascots who cut the Northern Soul classic "A Few Feet From The Gutter" for Huey P. Meaux's American Playboy label. The Ascots also featured Al Trahan who waxed "Funky Lu" and the better known dancefloor burner "Can I Feel It" for Port Arthur's Spindletop. After the Ascots, Duhon released four 45s including the Jonathan Toubin fave NY Night Train spin "Grave Yard Creep" – a split single with the hard groovin' flip "Color Me Soul" voiced by his Ascots pal Talmadge Armstrong which Huey P. Meaux produced for JetStream – and the sought-after Jude label sides "In School" b/w "Heart Breaker (Child Maker)" from 1974 (which later received national release on Mainstream Records), "Pusher Man" b/w "Drifter" from 1975, "So Far Down" b/w "Can You Learn To Love Me" from 1978 . When he retired from the road, he settled back in Beaumont, Texas where he died of natural causes in 1998.
Get a copy of Tramp's reissue of James Kelly Duhon's single from their forthcoming compilation "Can You Feel It Vol. 3 - Modern Soul, Disco & Boogie 1976-85" right here.
Listen to "So Far Down" and "So Trusting" below.
That time Suckerpunch played live on Much Music in 1994
Wednesday, May 26, 2021
Whaddya mean you don't know Ina & Al Harris
Happy Birthday Miles Davis!
Tuesday, May 25, 2021
Flatlanders preview new album with "Sittin' On Top Of The World"
Lubbock pals Butch Hancock, Joe Ely and Jimmie Dale Gilmore are back with Treasure Of Love, out July 9 via Rack 'Em Records. |
Happy Birthday Phil Ranelin!
Watch MC Abdominal's "Freedom of the Printing Press" video
Toronto's MC Abdominal drops some science about the importance of a free press in a democracy. Check the clip below. |
Here's the scoop from Abs...
This is my first attempt at a 'Custom Rap', commissioned by independent BC printing press International WEB Express via brand new platform Event Rap. Client requested a short rap outlining the importance of freedom of the press, particularly in light of the current global climate, with democracy threatened everywhere, even regions once considered stable.
In this misinformation age, don't forget about the independent journalists, publishers and printing presses that empower community newspapers to serve their local readerships with un-hackable, unfiltered news.
Order your own Custom Rap here: https://www.kickstarter.com/projects/bababrinkman/event-rap-the-one-stop-custom-rap-shop
Made with support from International WEB Express: https://www.intwebexpress.com
Video edited by Marco Vallini(music videos, series, short movies & whatnot)
Track produced by Nik Timar for Circle Research.
Portland's Red Fang previews Arrows album with twisted "Why" video
Red Fang's long overdue new album Arrows is out via Relapse on June 4th. Watch Ansel Wallenfang's video for "Why" below. |
Here's the scoop...
RED FANG return with their highly anticipated new album, Arrows! Their first album in four years, everyone's favorite beer-crushing, zombie-killing, air-guitar-contest-judging metal heroes are back in action, doing what they do best – and more.
“This record feels more like Murder The Mountains to me than any record we’ve done before or since,” bassist/vocalist Aaron Beam ventures. “It doesn’t sound like that record, but Murder the Mountains was us doing whatever the fuck we wanted, and that’s what this is, too.”
Arrows was recorded at Halfling Studios in the band’s hometown of Portland, OR, with longtime collaborator Chris Funk, producer of Murder The Mountains and 2013’s Whales and Leeches. “Chris is a major influencer as far as the weird ambient stuff in between the songs and the creepy incidental noises within the songs,“ guitarist Bryan Giles points out. “I think he definitely creates an added layer of atmosphere that we wouldn’t have otherwise.”
'Arrows' is also a proper title track, which is new territory for the band. “This is the first time we’ve named an album after a song that’s actually on the album,” Beam explains. “We have other albums that are named after songs of ours that are not on those albums. So this time we’re really fucking with you because we didn’t fuck with you.”
Similarly, fans might not believe what the song “Arrows” is partially about. “If you’re confused by some of the lyrics to the song, that makes sense,” Beam explains. “But it makes reference to meditation. I started meditating six years ago, but I can only do it when I’m not feeling too anxious. So, when I don’t need it, that’s when I can do it.”
Elsewhere, “Fonzi Scheme” was named after legendary Happy Days cool guy Arthur Fonzarelli—if only because it’s in the key of his famous catchphrase, “Aaay.” Producer Chris Funk came up with the idea of bringing in string players from the Portland Cello Project to class up the track.
Meanwhile, the opening riff of closer “Funeral Coach” was written 11 years ago. But it took until recently for the song to blossom into its full double-entendre glory. “I was driving around and I saw a hearse that said ‘funeral coach services’ on the back,” Beam explains. “So the first thing that popped into my head was a dude with a headset and a clipboard going, ‘Alright, dudes—more tears! Five minutes in is when the tears are critical, or no one’s gonna believe that anyone cares that this person died.’”
In a nod to tradition, Arrows will be available in formats that include all the drums, bass, guitars and vocals. But it could’ve gone another way. “Our original idea was to release the album with no vocals or guitar solos,” Beam explains. “If you want the guitar solos, it’s an extra five bucks. If you want the vocals, it’s an extra ten bucks. So basically people should feel lucky that we didn’t do that. You get to buy the whole thing altogether.”
RED FANG think of it as a generous display of gratitude toward their fans. “Yeah,” says Sherman, “Thank you for buying our album, you lucky bastards.”
Pre-order a copy of Red Fang's Arrows album here. Watch the video for "Why"below.
Monday, May 24, 2021
Happy Birthday Terry Callier!
That time Bonnie Raitt played Soundstage with Buddy Guy & Junior Wells
Sunday, May 23, 2021
Saturday, May 22, 2021
Hamilton's Red Hill Valleys rock Flamboro Speedway for "Finish Line" video
Whaddya mean you don't know Jerzy Milian
Friday, May 21, 2021
Santigold joins U-Roy for an update of "Man Next Door"
Thursday, May 20, 2021
Happy Birthday Rufus Harley!
Kora ace Ballaké Sissoko talks about his new album, Djourou
Bamako's Ballaké Sissoko has a new collaborative album Djourou out now via No Format. Check the clips below. |
Wednesday, May 19, 2021
Happy Birthday Cecil McBee!
Watch a short film about Jim Sullivan
Tuesday, May 18, 2021
Happy Birthday Lobby Loyde
Souljazz Orchestra's Pierre Chrétien scores with Cinephonic
Cinephonic's debut album Les Paradis Artificiels was inspired by French film soundtracks and sound library recordings. |
Here's the scoop...
Cinephonic was founded in 2018 by composer/pianist/vibraphonist Pierre Chrétien, as an outlet for the new cinematic tunes he had been quietly writing when he wasn't busy leading larger groups such as The Souljazz Orchestra, Atlantis Jazz Ensemble and Slim Moore & the Mar-Kays.
In the fall of 2020, he releases "Les Paradis artificiels", his first full-length album under the Cinephonic moniker, on which he collaborates with heavyweight hip-hop drummer Robert Biesewig (Wu-Tang Clan, Havoc, Alchemist) and versatile percussionist Marielle Rivard (The Souljazz Orchestra, Slim Moore & the Mar-Kays), while performing all other parts himself on mellotron, piano and vibraphone.
Drawing inspiration from classic French film and library music, Chrétien expands on the sound with elements of orchestral jazz, cinematic soul, and instrumental hip-hop, creating a rich, evocative, and complex soundscape that juxtaposes intricate compositions with dark funk backbeats - a kind of epic soundtrack for a film that never existed.
Listen to the title track "Paradis Artificiels," Éveil de la cité and "Les Corbeaux"(below). Get a copy of Cinephonic's new album via Bandcamp right here.
Sunday, May 16, 2021
Watch The Black Keys play "Goin' Down South"
Nap Eyes vs. Bonnie Raitt
Saturday, May 15, 2021
First Takes: The Isley Brothers' "Who's That Lady"
Friday, May 14, 2021
R.I.P. "Guitarreiro" Luis Vagner of Os Brasas
Watch The Jay-Jays' video for "Come Back If You Dare"
One For The Weekend: Chris Houston
Thursday, May 13, 2021
R.I.P. Bob Koester of Delmark Records
Sadly, Bob Koester of Chicago's legendary Jazz Record Mart & Delmark Records has passed away at the age of 88. He'll be missed. |
Sparks documentary The Sparks Brothers out June 18th
Wednesday, May 12, 2021
Rocio and Matt Verta-Ray are Disturbios
Guitarist Matt Verta-Ray and keyboardist partner Rocio are releasing their Disturbios debut May 21 via Atlanta's Midnight Cruiser. |
Here's the scoop...
The self-titled debut album from Disturbios is an electroshock fever dream — a marriage of blissed out, raunchy, and angular vintage rock & roll aesthetics with the pitiless tyranny of robotics gone wrong. Forged in the crucible of NY HED’s array of vintage analogue gear, the duo take a specialized approach to songwriting by experimenting on a vast array of sounds until the seed of an idea is planted. Rocio explains, “the writing process is enmeshed with the sound making, which is to say that recording, writing and performing are all on a continuum, all elements of the same whole. This extremely organic approach lets the important stuff kind of bubble up to the surface and announce to us what its shape should be.” Disturbios are hands-on to the last detail and conceive, perform, record and produce their music with Rocio creating their graphics and video. From this method emerges a record filled with songs about longing, sorrow, love and revenge, that are also, somehow, joyful and exhilarating as a backflip into an icy lake.Rocio, who comes from the worlds of film and philosophy, cut her teeth playing Farfisa organ in Spanish surf bands, completing the buzzing short circuit between primordial ibero-arab melodies and twanging, sizzling Jimmy Smith riffs by-way-of the Ventures and Erik Satie. Matt has been slinging six string hash and riding the underground zeitgeist like an electrobilly monorail since the New York ‘80s - haunting, jagged riffs channeling directly from a deep vein of Sun Records and Link Wray. Disturbios takes the listener on a wild ride into the greasy depths of the human psyche that will leave her breathless, revved up and dying to blast the record out into the air again and again.
Listen to a few tracks off Disturbios' debut album which you can get right here.