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| The last original Motörhead member, guitarist "Fast" Eddie Clarke died of pneumonia yesterday. He was 67. |
Thursday, January 11, 2018
R.I.P. "Fast" Eddie Clarke, 1950-2018
Labels:
Fast Eddie Clarke,
Lemmy,
Motörhead,
Phil Taylor
Saxophonist Nat Birchall ventures further out with Cosmic Language
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| UK jazz explorer Nat Birchall is bolstering his sound with harmonium and percussion for Cosmic Language out March 9. |
Listen to song clips from Cosmic Language right here. Watch the Nat Birchall Quintet perform "Divine Light" back in March followed by a discussion of his formative influences.
Happy Birthday Slim Harpo!
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| Remembering Louisiana blues great Slim Harpo with That Ain't Your Business cut at Jay Miller's Crowley studio. |
Labels:
Slim Harpo,
That Ain't Your Business
Wednesday, January 10, 2018
Ilios Steryannis launches the Bethany Project @ The Burdock, Thursday
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| T.O. drummer/composer Ilios Steryannis presents music – like this Afro-Cuban jam (below) – from his new album. |
Unissued Arthur Russell recordings appear on new Peter Zummo album
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| Trombonist Peter Zummo's Frame Loop album – out March 2 on Foom – features Arthur Russell on amplified cello. |
A few years ago, American composer and trombonist PETER ZUMMO discovered a 1984 recording of unreleased material from his Six Songs suite in his archive. Six Songs was the basis for LATERAL PASS (Foom 2014), his award winning score for modern-dance choreographer Trisha Brown’s work of the same name. Material taken from Six Songs can also be heard on his seminal ZUMMO WITH AN X (Loris Bend, 1985/Optimo 2012).
The work is now being released as a new LP, FRAME LOOP. Recorded live and in single takes, it features a stellar line-up of longtime ZUMMO collaborators: ARTHUR RUSSELL on amplified cello, BILL RUYLE on marimba, and MUSTAFA AHMED on congas. ZUMMO plays trombone and euphonium.
ZUMMO describes the recording as ‘an exercise in spontaneous arrangement’. He mainly hews close to the score, while from time to time introducing canonic lines and variations. ARTHUR RUSSELL, using his signature amplified cello sound, alternates between solos and rhythm playing. BILL RUYLE vamps on the notation, while MUSTAFA AHMED’s improvised percussion drives the forward momentum. Sometimes the music takes its time traversing a sonic landscape; at other points, it jumps from one section to another. Players' decisions push and pull the downbeat; rounds emerge, then disappear. Listen to Song II: Right; Off The Beat below.
Labels:
Arthur Russell,
Foom Music,
Frame Loop,
Peter Zummo
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