Here's a gem from vibrophonist Matumoto Hiroshi's group with pianist Ichikawa Hideo from 1969. |
Wednesday, May 30, 2018
Tuesday, May 29, 2018
Blind Matty Band opening for The Sadies @ The Great Hall, Friday
Monday, May 28, 2018
John Barry vs. Jimmy Carroll
Sunday, May 27, 2018
Johnny Marr @ The Drake Hotel, May 30
Saturday, May 26, 2018
Long Branch record release @ The Baby G, June 1
Friday, May 25, 2018
The Rumblers vs. The Strangers
One For The Weekend: Basa Basa Soundz
Here's the party-rockin' instrumental version of "African Soul Power" off the just-reissued Homowo LP. |
Thursday, May 24, 2018
Wednesday, May 23, 2018
King Tuff, Cut Worms, Orville Peck @ The Horseshoe, Wednesday
Tuesday, May 22, 2018
Happy Arrival Day Sun Ra!
Watch Tami Neilson's video for "Manitoba Sunrise At Motel 6"
Tami Neilson's new album SASSAFRASS! will be released by Outside Music on emerald green vinyl on June 1. |
Top Ten vs. Teenage Head
Monday, May 21, 2018
Michael Rault @ The Horseshoe, Tuesday
Michael Rault's new album It's A New Day Tonight is out now on Daptone's Wick Records subsidiary. |
"Musically it came out of a period of dissatisfaction, creatively and personally, as I found myself pushing against the limitations of my abilities and approaches to making music."
But those delays eventually paid off. As he was working on Tonight's songwriting, Rault kept entering the orbit of Wayne Gordon, the producer and head engineer at Brooklyn's legendary Daptone studio—first through opening stints for the late firebrand Charles Bradley, then while on tour with Aussie shredders King Gizzard and the Lizard Wizard.
Sending Gordon early sketches of some songs led to Rault heading to Daptone for what was initially going to be a two-week recording stint. Midway through that Gordon approached him about signing to the Daptone label's fledgling rock spinoff, Wick Records —and becoming the first Canadian member of the Daptone family. Signing with Wick also led to Rault finishing the record at Daptone and bringing Gordon on as co-producer.
Check out the video for "I'll Be There" off It's A New Day Tonight.
Lester Sterling & Stranger Cole vs. Kenny Graham's Afro-Cubists
Sunday, May 20, 2018
Whaddya mean you don't know The Guinness Cassanovas
Saturday, May 19, 2018
Overlooked synth-enhanced jams of Pierre Sandwidi reissued by Born Bad
Friday, May 18, 2018
Parquet Courts, Goat Girl @ The Phoenix, May 27
One For The Weekend: Manzoor Ashraf
Thursday, May 17, 2018
Cord & Tish preview Prince Harry and Meghan Markle's royal wedding
Fever Ray @ Rebel, Thursday
B-Side Wins Again: Glass Torpedoes
Wednesday, May 16, 2018
Montreal's Red Mass releases Rat Race EP
Check out the 3-song ripper from Roy Vucino's Red Mass crew featuring Nick Flanagan on Aggressive Tendencies! |
Tuesday, May 15, 2018
R.I.P. Glenn Branca, 1948-2018
Influential guitarist/composer Glenn Branca died of throat cancer Sunday night. Here's Alan Licht's obit from WIRE. |
Monday, May 14, 2018
Watch The MC5 perform Black To Comm at Wayne State University in 1967
Sunday, May 13, 2018
The ARC Sound @ The Gaslight, Sunday
Happy Birthday Gil Evans!
Time to get ILL
"Stuck on a Loop" is off the transparent blue full-length We Are ILL from Manchester's ILL out now on Box Records. |
Saturday, May 12, 2018
Mudhoney w/ Huttch, The Rathburns @ Lee's Palace, Saturday
Friday, May 11, 2018
Quantic vs. Drake
Check out the cumbia-style revamp of Drake's Hot Line Bling courtesy of Quantic's Colombian Los Míticos crew. |
Tav Falco's Panther Burns @ Buffalo's Mohawk Place, May 16
Thursday, May 10, 2018
Happy Birthday Arthur Alexander
Vintage Turkish fuzz-funk session by Beyaz Kelebekler just released
Wednesday, May 9, 2018
Vancouver's Slow reunites @ The Phoenix, tonight
Tuesday, May 8, 2018
Nick Smash "Gone Talking" @ The Lilian H. Smith Library, Thursday
On Thursday (May 10), Wavelength will continue its year-round Music Talk series with a deep dive into the little-known corners of Toronto music history. In association with the Toronto Public Library’s “Make Some Noise” series, Canadian Music Week and Myseum of Toronto, Wavelength presents a talk by UK-based writer/musician/publicist Nick Smash. A Toronto native, Smash was deeply involved in the city’s vibrant DIY post-punk scene in the early ‘80s, as the creator of the fanzine Smash It Up! and a member of the bands Rent Boys Inc. and the Dave Howard Singers. Nick Smash has called the U.K. home since the mid-’80s but continues to keep the memory of this vital era in Toronto independent music history alive and relevant.
Between 1979-86, a group of defiantly independent bands, also including A Neon Rome, Breeding Ground, Fifth Column, the Hunger Project, Kinetic Ideals, L’Etranger, Sturm Group, Tulpa, Vital Sines, the Woods Are Full of Cuckoos, Young Lions, and Youth Youth Youth, dominated Queen West clubs in the years after punk’s initial explosion, devoutly in opposition to their music’s commercialization as “new wave.” Heard mostly through self-published fanzines, cassettes, and campus radio at the time, these groups are now mostly left out of the historical record, discoverable only through used record bins and YouTube rips. Yet these bands laid the groundwork for the Toronto indie-music explosion, and their immediate descendants included civic icons Blue Rodeo, Change of Heart, Cowboy Junkies, Rheostatics, and Shadowy Men on a Shadowy Planet.
This multi-media talk will reintroduce a new generation to this long-forgotten scene, as documented in Nick Smash’s 2015 self-published book, Alone and Gone: The Story of Toronto’s Post-Punk Underground, which is being reprinted in conjunction with this talk. Smash will also discuss a new venture to get this lost music heard by new ears in the 21st century.
NICK SMASH ON “GONE TALKING” - TORONTO POST-PUNK IN THE EARLY ‘80s
In the summer of 1977, I got a job at Music World on the corner of Yonge Street and Gould. It was while filling the bins with vinyl import singles from the UK that I got a taste of punk rock. An introduction to the world of underground fanzines and weekly copies of the NME soon inspired me to publish my own fanzine called Smash It Up.
The dingier clubs of Toronto beckoned and trudging up the terrifying staircase at the Turning Point, or negotiating the equally terrifying clientele of Larry’s Hideaway meant I was making connections and meeting people of a like minded DIY philosophy. It was an eye-opening experience, as the strict rules of punk rock soon fell away to the broader post-punk worldview.
Fanzines gave way to record-it-at-home tape zines, which led to a stint of percussive clattering in Rent Boys Inc. The inevitable move to London UK was soon followed by the band splitting up, which was followed by a busy year with The Dave Howard Singers.
A stint writing about hip-hop during 1986-89 introduced me to the core of the UK music machine and soon I found myself working at Island Records in their press office. Fast forward to 2010 and all those photos me and my brother Simon White took during the post-punk years were presented as large format posters at the Steam Whistle Brewery, for an exhibit called Toronto Calling. Writing about all those experiences for a self-published book called, Alone And Gone: The Story of Toronto’s Post Punk Underground, has now brought me to the Lillian H. Smith Library (239 College Street) on Thursday (May 10) from 7-8pm. Listen to some of Nick's faves from the archives on the Equalizing Distort blog right here.